Zoli by Colum McCann Read Free Book Online Page B

worry about, and walked off through the mud to talk to Petr.
    Grandfather pointed over at me, and Petr nodded. I put my head down, kept my paths to myself. In my mind the old songs repeated themselves, took a new direction, turned, swerved.
    We went further east and, by the banks of the Hron River, on a muddy morning, Red died. She was found on the ground with a single eye open. Grandfather lifted her with ropes and took her off to the glueyard. The blood sloshed in her as she was dragged along. I would never forget the sound. She was hoisted onto a cart. The body thumped, her eye still open. Grandfather came back with a bottle of fine slivovitz and offered me some, but I turned away and said no. He said, These things happen, girl. No they don't, I said. He grabbed my braids and said to me: Do you hear me, girl, these things happen, you're no longer a child. He let go of me and I watched as he stamped away through the bushes.
    A couple of years later, chonorroeja, when so much of my life was taking place in the city of Bratislava, and in the printing mill, using words that had come from the songs, I asked Strän-sky and the Englishman Swann not to put the few pages of my first poems together with glue, rather to stitch them with thread. I thought the glue might have come from the same yard. They didn't know what I was talking about, and, in truth I don't know why I expected them to. I could not stand the notionof the glue of Red traveling along the spine of the book, leaning down to things so foreign to her, who would want their own horse in their book, holding it together?
    I was writing things down then, on any paper I could find, even the labels from bottles. I dunked them in water, dried them out, and filled the emptiness with ink. Old newspapers. Brown butcher sheets. I dried them out until the bloodstains were faint. It was still a secret, my writing. I pretended to most that I could not read, but, I thought, then, surely it could do no harm? I said to myself that writing was no more nor less than song. My pencil was busy and almost down to a nubbin.
    Wash your dress in running water. Dry it on the southern side of the rock. Let them have four guesses and make them all be wrong. Take a fistful of snow in the summer heat. Cook haluski with hot sweet butter. Drink cold milk to clean your in-sides. Be careful when you wake: breathing lets them know how asleep you were. Don't hang your coat from a hook in the door. Ignore curfew. Remember weather by the voice of the wheel. Do not become the fool they need you to become. Change your name. Lose your shoes. Practice doubt. Dress in oiled cloth around sickness. Adore darkness. Turn sideways in the wind. The changing of stories is a cheerful affair. Give the impression of not having known. Beware the Hlinkas, it is always at night that the massacres occur.

    There are things you can see and hear, nowadays, long after: the way the ditches were dug, and the way the ground trembled, and the way birds don't fly anymore over Belsen, about what happened to all our Czech brothers, our Polish sisters,our Hungarian cousins, how we in Slovakia were spared, though they beat us and tortured us and jailed us and took our music, how they forced us into workcamps, Hodonin and Lety and Petic, how they placed a hard curfew, and even that curfew had curfews upon it, how they spat at us in the streets. You can hear stories about the badges that were sewn on the sleeves, and the Z that split the length of our people's arms, the red and white armbands, and the way there were no lean dogs near the camps, the way Zyklon-B turned all the hair of the dead brown, and how the barbed wire flew little flags of skin, the slippers that were made of our hair. You can hear all this and more. What happened to the least of us, happened to us all, but little will ever bring it back to me in quite the same way as the day when my grandfather, Stanislaus, was stopped by a tall fair-haired soldier in the little gray