Aunt Dimity and the Duke
across the headland, bristling with balconies, chimneys, and conical towers, a seemingly haphazard collection of parts that formed an eccentric and somewhat forbidding whole. Emma, who leaned toward the precise geometry of neoclassical pillars and porticoes, found the domain of the duke of Penford a bit too Gothic for her taste.
    The landscape, at least, showed the touch of an orderly hand. A pair of yews flanked the broad stairway leading to the hall’s main entrance, and germander hedges extended on either side to the stables, which had, by the looks of it, been converted into a single vast garage. Gash’s domain, Emma thought, just as the gatehouse was Newland’s.
    Gash swung around the circular drive and parked at the foot of the stairs, where a pair of elderly men stood waiting. Both wore old-fashioned black suits with stiff collars and cuffs. The taller of the two was nearly bald and slender as a rake, while the shorter, round-shouldered man wore thick horn-rimmed glasses.
    “The scarecrow’s Crowley,” Gash explained. “Crowley’s head butler. The chap with the specs is Hallard, the footman. Hallard’ll look after your bags.”
    “My bags?” Emma was about to explain that she hadn’t intended to impose on the duke’s hospitality, but Hallard had already removed her luggage from the trunk, and Crowley had opened the car door, saying, “Please come with me, Miss Porter.”
    Flustered, Emma obeyed.

4

    The entrance hall’s plaster walls were hung with oil portraits in heavy gilt frames. The beamed ceiling had been ornamented with gold leaf, and the marble floor was a pristine cream-and-rose checkerboard. A pair of feathery tree ferns in brass pots flanked a splendid mahogany staircase that divided in two at a landing.
    The landing’s wall was adorned with a frieze of slender figures in diaphanous robes, painted in shades of ivory, peach, pale green, and gold. Emma blinked when one of the figures appeared to move, and it was then that she saw the woman, a flawless beauty in a gossamer gown, with hair like silken sunlight and eyes like—
    Emma wrenched her gaze away. Since when had she started seeing Richard’s bride in every skinny blonde that crossed her path? Besides, she thought, daring a second look, this skinny blonde is famous.
    Emma might not know much about the world of fashion, but she knew enough to know that face. It had appeared on too many talk shows, shown up on too many magazine covers—and Richard had sung its praises far too often. It had been out of the limelight for some years, but, nevertheless, only a cave-dwelling hermit could have failed to recognize the model known as Ashers, the English Rose. The queen of the fairy princesses.
    “What have we here?” Ashers asked, gliding weightlessly down the stairs and across the marble floor to where Emma stood.
    “A guest to see His Grace,” Crowley replied shortly.
    Ashers looked down her delicate nose at Emma’s beige corduroy skirt and loose-fitting white cotton pullover, and sniffed when she saw Emma’s walking shoes. “Charming,” she commented. “An outdoorswoman, I take it?” She leaned forward to peer at Emma’s face. “If I were you, darling, I’d start ladling on the sunscreen.”
    Emma’s cheeks flamed and she looked at the floor.
    “Susannah!”
    Emma glanced up. The cry had come from a man walking briskly across the entrance hall. He reminded Emma of the duke of Windsor: thirtyish, compact, elegant, with small, neat hands and finely chiseled features. He wore a dark tweed hunting jacket over a russet waistcoat and beige trousers; his shoes had the muted gleam of glove leather. His honey-blond hair was straight and conservatively cut, and his eyes were a deep, liquid brown.
    “Welcoming my guest, Susannah?” he asked when he reached them. “How thoughtful of you. As you’ve no doubt discovered, this is my good friend Miss Emma...” He faltered.
    “Porter, Your Grace,” Crowley supplied, confirming Emma’s

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