Steen.
What he had heard from Harry Chiltern was disturbing. True, the business about the dancer in the Thames sounded a bit too melodramaticâthe kind of story that gets embroidered over the yearsâand probably started out just as an unfortunate coincidence. Charles discounted the facts of it; but it was significant that Marius Steen attracted that sort of accusation. It didnât bode well for Jacqui.
Then there were the photographs and her own story. Something didnât ring true there. He pieced it together. In June, Jacqui and Steen went to a party, which was attended by Sally Nash, now on trial at the Old Bailey on charges of controlling prostitutes. At this party a fairly insipid orgy took place. Some pictures were taken by a nameless photographer. All through this period (according to Jacqui) things were swinging between her and Steen. She even got pregnant by him. He arranged an abortion which went wrong and they went off to the South of France to recuperate. And there, apparently, had an idyllic time. This idyll had continued up until the previous Saturday, 1st December, when they last met. That was the day after the Sally Nash trial started, and the day that Marius Steenâs terrible show, Sex of One and Half a Dozen of the Other celebrated a thousand performances. And from that day on Jacqui had been unable to contact Steen. He had very deliberately told her to get lost, and when she didnât take the hint, heâd sent her an obscene note. And according to Jacqui, the reason for this must be Steenâs fear of her being associated with him in the Sally Nash case because it might affect his chances of a knighthood. It was preposterous. Nobody would behave like that.
Charles wasnât sure whether Jacqui believed she was telling the truth or not. She might have her own reasons for obscuring the issue. But, leaving that aside for a moment, he tried to make some sense of Steenâs behaviour.
The simplest explanation was that he had just got tired of Jacqui. That was quite possible, however well she thought the affair was going. He was a man who had always put it about a bit, as Harry Chiltern said. Jacqui was an attractive enough bit of stuff, but there were hundreds more like her and why should he stick to one? Heâd be very unlikely to stay with her or marry her, particularly with a knighthood in the offing. As Jacqui herself admitted, she wasnât the sort of consort for a âdo with the Queen Mumâ.
And, Charlesâ mind raced on, Steen could have picked up a new tottie at the Sex of One . . . party on the Saturday night. That would explain the sudden change in his affections.
But as he thought of it, Charles knew the explanation was inadequate. Even if that had happened, it didnât justify the violence of Steenâs attempts to get Jacqui off his back. No, Steenâs behaviour certainly suggested that he regarded her as a threat in some way. Perhaps she had tried to blackmail him . . .? Yes, that made sense. She had actually tried to use the photographs . . . perhaps to blackmail him into marrying her. (That would tie in with the pregnancy in the summerâan earlier attempt to force Steenâs hand.) She could have tried the blackmail approach on the Saturday afternoon; then, when Steen cut up rough, she realised sheâd overstepped the mark and brought in Charles as a go-between to patch things up. That would even explain why she took him back to Archer Street from the Montrose. Sheâd just gone down there to look for any good-natured sucker.
But the new explanation wasnât much more satisfactory than the first. For a start. Charles didnât like to think of Jacqui in that light. And also he doubted whether she had the intelligence to be so devious. The only convincing bit was the thought of Steen as a frightened man. What was it he was afraid of?
Charles marshalled his knowledge of blackmailersâ habits. It was