Dead Beat
"The morgue."

Chapter Four
    Chicago has a bitchin' morgue. You can't call it a "morgue" anymore because it's the Forensic Institute now. It isn't run by a "coroner" either, because now it's a medical examiner. It's on West Harrison Street, which is located in a fairly swanky industrial park, mostly specializing in various biotech industries. It's pretty. There are wide green lawns, carefully kept and trimmed, complete with sculpted trees and bushes, a fantastic view of the city's skyline, and quick access to the freeway.
    It's upscale, sure. But it's also very quiet. Despite the gorgeous landscaping and a more antiseptic naming scheme, it's where they bring the dead to be poked and prodded.
    I parked the Blue Beetle in the visitor's parking lot—of the complex next door. The morgue had more than average security, and I didn't want to advertise my presence. I grabbed my bribe from the backseat and headed for the front door of the Office of the Medical Examiner. I knocked, flashing my little laminated card I got from the police that makes me look like an official policelike person. The door buzzed, and I went in, nodding to a comfortably heavyset security guard reading a magazine behind a nondescript desk to one side of the entry area.
    "Phil," I said.
    "Evening, Dresden," he said. "Official?"
    I held up the wooden box packed with McAnally's microbrew. "Unofficial."
    "Hosannah," drawled Phil. "I like unofficial better." He put his feet back up on the desk and opened up his magazine again. I left the beer on the floor next to the desk, where it would be out of sight from the door. "How come I never heard of this bar?"
    "Just a little local tavern," I said. I didn't add, that caters to the supernatural community and doesn't exactly try to attract the attention of locals .
    "I'll have to get you to take me by sometime."
    "Sure," I said. "Is he here?"
    "Back in the slabs," he said, reaching down for one of the ales. Phil opened the lid with a thumb and took a swig, eyes on his magazine again. "Ahhhhh," he said, his tone philosophical. "You know, if anyone had come through that door, I'd tell him to get his ass going before someone drives up or something."
    "Gone," I said, and hurried back into the hallways behind the entry area.
    There were several slabs—I mean, examination rooms—in the morgue—that is, in the Forensic Institute. But I knew that the guy I was looking for would be in the smallest, crummiest room, the one farthest away from the entrance.
    Waldo Butters, other than having the extreme misfortune of being born to parents with little to no ability to bestow a manly name upon their son, had also been cursed with a sense of honesty, a measure of integrity, and enough moral courage to make him act on them. When he'd examined the corpses of a bunch of things I'd burned mostly to briquettes, he'd pronounced them "humanlike, but definitely nonhuman," in his report.
    It was a fair enough description of the remains of a bunch of batlike Red Court vampires, but since everyone knew that there were no such things as "humanlike nonhumans," and the remains were obviously human corpses that had been horribly twisted by intense heat, Butters wound up sitting in a psych ward for ninety days for observation. After that, he had been forced to wage a legal battle just to keep his job. His superiors didn't want him around, and they handed him the worst parts of the job they could come up with, but Butters stuck it out. He mostly worked the overnight shift and weekends.
    It had the happy side effect of producing an ME who regarded the establishment with the same sort of cheerful disrespect I myself occasionally indulged in. Which was damned handy when, for example, one needed a bullet removed from one's arm without intruding upon the law enforcement community's busy schedule.
    The doctor was in. I heard polka music oompahing cheerfully through the hall as I approached the room. But the music was off, somehow. Butters normally played

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