the very root of my reluctantly extended manhood and brought it forward, bursting through the garment's fly-buttons. When I saw that she intended to lower her lips to this core of my being, every fibre of my body strained to resist her brazen advances.
Here, though, my mind clouds with indistinct but disagreeable impressions. A distant cry of anger is heard, the woman retreats in fear and fury, and I awake, ashamed to discover my clothing in considerable disarray, the victim of some delirious carphology.
From the Journal of Jonathan Harker, October 7th 1893
The snow has started falling. During these increasingly frequent squalls, all sights and sounds are obscured by a deadening white veil that seals us in the sky. From my bedroom window I can see that the road to the castle is becoming obscured. If the Count does not return soon, I really do not see how I shall be able to leave. I suppose I could demand that a carriage be fetched from the nearest village, but I fear such an action would offend my absent host, who must surely reappear any day now.
I am worried about my Mina. I have not heard from her inside a month, and yet if I am truthful part of me is glad to be imprisoned here within the castle, for the library continues to reveal paths I feel no Englishman has ever explored.
I do not mean to sound so mysterious, but truly something weighs upon my mind. It is this; by day I follow the same routine, logging the books and entering them into the great ledgers my host provided for the purpose, but each night, after I have supped and read my customary pages before the fire, I allow myself to fall into a light sleep, and then...
... then my freedom begins as I either dream or awaken to such unholy horrors and delights I can barely bring myself to describe them.
Some nights bring swarms of bats, musty-smelling airborne rodents with leathery wings, needle teeth and blind eyes. Sometimes the ancestors of Vlad Drakul appear at the windows in bloody tableaux, frozen in the act of hacking off the howling heads of their enemies. Men appear skewered on tempered spikes, thrusting themselves deeper onto the razor-poles in the throes of an obscene pleasure. Even the Count himself pays his respects, his bony alabaster face peering at me through a wintry mist as though trying to bridge the chasm between our two civilisations.
And sometimes the women come.
Ah, the women.
These females are like none we have in England. They do not accompany themselves on the pianoforte, they do not sew demurely by the fire. Their prowess is focussed in an entirely different area. They kneel and disrobe each other before me, and caress themselves, and turn their rumps toward me in expectation. I would like to tell you that I resist, that I think of my fiancee waiting patiently at home, and recite psalms from my Bible to strengthen my will, but I do not, and so am damned by the actions taken to slake my venomous desires.
Who are these people who come to me in nightly fever-dreams? Why do they suit my every morbid mood so? It is as if the Count knows my innermost thoughts and caters for them accordingly. Yet I know for a fact that he has not returned to the castle. When I look from the window I can see that there are no cart-tracks on the road outside. The snow remains entirely unbroken.
There are times now when I do not wish to leave this terrible place, for to do so would mean forsaking the library. And yet, presumably, it is to be packed up and shipped to London, and this gives me hope, that I might travel with the volumes and protect them from division. For the strength of a library exists in the sum of its books. Only by studying it -
indeed, only by reading every single edition contained within - can one hope to divine the true nature of its owner.
From the Journal of Jonathan Harker, November 15th 1893
Somewhere between dreams and wakefulness, I now know that there is another state. A limbo-life more imagined than real. A land of phantoms