30 Pieces of a Novel by Stephen Dixon Read Free Book Online

calling her parents. That is, if they live there, because maybe the college she goes to is in that city or town—which is it?—and she lives in Palm Beach only when she’s away from home. Well, he’ll find out, won’t he? when he calls Information, and that would be the end of it if that’s what the situation is. But why call her parents? Not like the last time: to get them to come up and take their daughter away. Just to do something wild, idiotic, and unfuddydud-like, that’s all, something he once was or used to do or just didn’t feel constricted and tight about being or doing till around twenty years ago, which was a few years before he met his wife. And unfuddydud-like’s not the word; it’s “uncareful, unheedful, unforethoughtful, untimid, unsmothered, imprudent, unrepressed.” In other words, a reason or justification he just thought of but one connected to the memory of what he did with Sandy and her folks. In other words, if he hadn’t thought about Sandy in connection to Sage, he wouldn’t have thought of doing it. In other words, an excuse to be as stupid and reckless as he can one more time because he suddenly feels compelled to and it feels scary and exciting but damn good. But why be that stupid and reckless? Didn’t he just say? Anyway, don’t answer, for by questioning it he won’t do anything to be like it, for doing what he thought about doing is something you do without giving it those kinds of justifications and reasons and second thoughts, and more so at his age than when he was twenty or thirty or approaching forty. So it’s just for him, a release of some sort, last done so long ago it’s almost as if he never did it, stupid as it is. And when he gets, if he does, one of her parents on the phone, what will he say? What he has to, what will come out, and, unlike the last time, all unthought-of beforehand and unrehearsed, in any accent or voice he wants, even his real one, since neither they nor Sage know him, and probably the real one is the bravest to do and so in the end will give him the greatest release. If he gets their answering machine he’ll leave whatever message he’ll leave and call it quits with this wild, idiotic craziness or whatever it is. Or maybe he’ll do it as an experiment: once he speaks to one of her folks or their answering machine or the phone just rings and rings till he hangs up, will Sage then leave his mind for good or close to it? Or maybe tomorrow—probably tomorrow—this whole notion of calling will be gone. Is that what he wants? Of course it would be best, along with his not thinking of her so much if at all, for what’s he gain by it? But that’s not what he’s saying and he doesn’t want to think of it anymore now or it’ll all be spoiled. How’s that? Drop it; and he squeezes his eyes closed and stays that way for about a minute, and that seems to do it.
    He goes to town next day. “I have some photocopying to do and I’ll pick up a good bread,” he tells his wife; “anything else you might want?” hoping there isn’t, since he doesn’t want to make a bunch of stops, especially if what she wants him to get is before the place he wants to make the call from, and she says, “Nothing I can think of,” and he starts to leave, then thinks of it and also what a fake he is, considering what’s getting him out of here, and goes back to kiss her and then leaves, stomach churning nervously, even youthfully in a way, hasn’t felt that feeling in his pit for he doesn’t know how long, a feeling like—well, churning, nervousness, and of course he’s been thinking of Sage most of the morning, but that could be because he was thinking of making the call and how he would do it, which means he didn’t give himself a chance to forget her. Does he really have the guts for this? he thinks in the car: the