murder.
Broadtail doesn’t know what to do. His body does, though. It’s been far too long since Broadtail last ate or slept, and the fight used up any reserve he might have had. He staggers past the marker stone onto his land and passes out.
BY an unspoken arrangement, Rob took over as maintenance tech on the drones and sensor gear, communicating with Sergei via notes in grease pencil on the door of the workshop. Since Henri had monopolized Rob’s services before dying, everybody was already used to doing their own photography and image processing anyway.
Four days after he returned to work, Rob started finding little people.
The first one was on the bench in the workshop, a little figure made of swabs and tape with one cotton-tipped arm raised in a cheery wave. Rob figured it was something Sergei had put together in an idle moment, and left it on the shelf when he finished work.
The next day he found two more figures. One was a little dough girl sitting atop the micro wave in the galley, and the second was a wire dancer poised in the middle of his regular table.
Rob spent half an hour that night exploring the station to see if the little sculptures were maybe just a kind of fad. Maybe everyone was making them, just to pass the time and decorate the station. He didn’t find any others, though. In his room during the work shift he lay awake for a couple of hours, reverting mentally to age fourteen and wondering if the little figures were somehow part of a plot by everyone else to make fun of him.
On the third night there were half a dozen of them. One, cut from a strip of scrap plastic, on the sink in the bathroom nearest his room in Hab Two. The second, folded from a sheet of nori, in the galley. The third, molded from caulking compound, on the back of the chair in the workshop. Another origami figure made of foil inside the tool cabinet. And a wire angel posed above the hatch into Hab Two where he’d be sure to see it on the way back to his room.
The sixth figure was sitting on his pillow. It was a girl made of swabs and foil, with her cotton hair colored black and a tiny smile on her little cotton face. She was holding a folded note.
BREAKFAST TOMORROW AT 2200?
Rob wasn’t any good at sculpting, but he was a decent freehand artist. He sacrificed a page from his personal journal and drew a little cartoon of himself surrounded by tiny figures. The caption read Sure. He stuck it on his door and went to bed. The station used a twenty-four-hour clock, and for simplicity the day began at the start of the first “day” shift. So 2200 was an hour before even the early risers would be up and about. Rob finished rebuilding the flex linkage on one of the drones at 2130, and spent the next half hour fretting about what to do. Should he go meet the mystery person? Should he shower and change?
At 2145 he decided to go ahead and meet whoever it was. If this was some elaborate plan to give him crap about Henri’s death, then whoever was doing it was an asshole and Rob could tell him that face to face.
He wound up sitting in the galley at 2150, wondering if this was all some kind of joke. But at 2200 exactly, Alicia Neogri came in and flipped on the lights.
“Why are you sitting in the dark?” she asked.
“Oh, I—”
“Lying in ambush to see who would come?” She put a little
figure made of plastic tubing on the table. “What shall we have for breakfast?”
Figuring out what to cook at Hitode was always difficult. For a team of scientists who had grown up in a world of agricultural oversupply, with even the most obscure ingredients available at any market, being limited to what the hydroponic farm could produce was almost intolerable. Everyone brought along personal supplies, and hoarding and bartering were a way of life.
Rob, being an American, had used most of his ten-kilo personal food allotment for sugar and caffeine. But one of the few vivid food memories he had from childhood was eating scrambled eggs