battle plan. Land and sea
units converge. Jesus fuck, Jeb, have you forgotten your fucking orders?’
‘You know very well what my orders
are, Elliot. They’re what they were from the start. Find, fix and finish. We
haven’t found
Punter
, we’ve seen a light. We can’t fix him
till we’ve found him and we’ve no PID worth a damn.’
PID? Though he detests initials,
enlightenment comes: Positive Identification.
‘So there’s no finishing and
there’s no convergence,’ Jeb is insisting to Elliot in the same steady tone.
‘Not till I agree, there isn’t. We’re not shooting at each other in
the dark, thank you. Confirm you copy me, please. Elliot, did you hear what I just
said?’
Still no answer, as Quinn returns in a
flurry.
‘Paul? That light inside house seven. You
saw it? You had
eyes-on
?’
‘I did. Yes. Eyes-on.’
‘Once?’
‘I believe I saw it twice, but
indistinctly.’
‘It’s
Punter
.
Punter
’s in there. At this minute. In house seven. That was
Punter
holding a hand torch, crossing the room. You saw his arm. Well,
didn’t you? You saw it, for Christ’s sake. A human arm. We all
did.’
‘We saw an arm, but the arm is subject
to identification, Nine. We’re still waiting for
Aladdin
to turn up.
He’s lost, and there’s no indication that he’s on his way here.’
And catching Jeb’s eye: ‘We’re also waiting for proof that
Punter
is on the premises.’
‘Paul?’
‘Still here, Nine.’
‘We’re re-planning. Your job is
to keep the houses in plain sight. House seven particularly. That’s an order.
While we re-plan. Understood?’
‘Understood.’
‘You see anything out of the ordinary
with the naked eye that the cameras may have missed, I need to know instantly.’
Fades and returns. ‘You’re doing an excellent job, Paul. It will not go
unnoticed. Tell Jeb. That’s an order.’
They’re becalmed, but he feels no
calm.
Aladdin
’s vanishing act has cast its spell over the hide. Elliot
may be repositioning his aerial cameras but they’re still scanning the town,
homing at random on stray cars and abandoning them. His ground cameras are still
offering now the marina, now the entrance to the tunnel, now stretches of empty coast
road.
‘Come on, you ugly bastard,
show
!’ – Don, to the absent
Aladdin
.
‘Too busy having it away, randy
sod’ – Andy, to himself.
Aladdin
is waterproof, Paul
, Elliot
is insisting across his desk inPaddington.
We do not lay one
single finger on
Aladdin. Aladdin
is fireproof, he is bulletproof. That is
the solemn deal that Mr Crispin has cut with his highly valuable informant, and Mr
Crispin’s word to an informant is sacred
.
‘Skipper’ – Don again, this time
with both arms up.
A motorcyclist is weaving his way along the
metalled service track, flashing his headlight from side to side. No helmet, just a
black-and-white keffiyeh flapping round his neck. With his right hand he is steering the
bike, while his left holds what appears to be a bag by its throat. Swinging the bag as
he goes along, displaying it, showing it off, look at me. Slender, wasp-waisted. The
keffiyeh masking the lower part of his face. As he draws level with the centre of the
terrace his right hand leaves the handlebars and rises in a revolutionist’s
salute.
Reaching the end of the service track, he
seems all set to join the coast road, heading south. Abruptly he turns north, head
thrust forward over the handlebars, keffiyeh streaming behind him and, accelerating,
races towards the Spanish border.
But who cares about a hell-bent motorcyclist
in a keffiyeh when his black bag sits like a plum pudding in the middle of the metalled
track, directly in front of the doorway leading to house number seven?
*
The camera has closed on it. The camera
enlarges it. Enlarges it again.
It’s a common-or-garden black plastic
bag, bound at the throat with