Fischer was talking to a man, with three peaceful children distributed over their two laps--and sprinted for the stairs.
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The stairway was lined with odd bits of old weaponry, a small tapestry, a cloak pinned out fully to show off its thick embroidery, several framed photographs of castles and people in colorful medieval costume, and similar elements of Tyler's passion. At the top landing a full set of armor, with both arms and its helm in place, stood guard over a locked glass case that held numerous small objects, bottles and combs and such, which Kate did not pause to examine. Voices came from the third door on the left, so she knocked lightly and opened it.
"... decided on a maximum of a hundred and fifty. Ah, come in, Inspector Martinelli. We were just getting started. What will you have to drink?" Tyler stood up and moved to a tall, glossy cabinet made of several kinds of wood, and Kate allowed herself to be talked into a glass of soda water. Tyler presented it with a flourish and went to stand by the open fire, his back to the stones and the heavy mantelpiece.
His air of jovial goodwill seemed somewhat strained, and Kate soon diagnosed that the source of his nervousness was Hawkin, who was sitting comfortably back into a leather chair with a somnolent expression on his face and a glass of amber liquid on his knee. Tyler's eyes kept glancing off the relaxed figure, as if by avoiding eye contact he might escape a blow. It was a reaction Kate had seen many times before, but she was a bit surprised to see it in Tyler.
Hawkin picked up the conversation again, continuing where it had been left, and with half an ear Kate listened to Tyler's plans for his land, proposals for a grant and tax-free status, the balance between convenience and freedom from gadgets. She listened, but she also studied the man's surroundings, the room at the top of the house.
The room was magnificent, wrapped in glass on three sides, with the tiers of hills soaring up at one end and the fields across the Road flowing down to the sea at the other; from the middle the owner could survey the graveled triangle and the comings and goings of his tenants. From the fourth wall jutted an open-sided granite fireplace, dividing the space in half visually. This was a lordly tower, and even if Flower Underwood had not said as much, Kate would have known immediately that this was where Tyler lived, not in the casual funk of the ground floor or in the relatively impersonal hallways Kate had glimpsed from the middle landing. Here Tyler had no need to bolt a broadsword down for fear of accident or theft, no need to limit the furnishings to sturdy dark chairs that would neither intimidate the residents nor show the effects of their children's heels. Here John Tyler could be what he was: the sole heir to three generations of money. In California, three generations is a long time.
The room was not flagrant in its opulence. The walls were smooth redwood, the floor polished oak with an inlaid pattern of some darker wood running around the edges. The intricate carpet underfoot was wool, not silk; the buttery leather of the chairs and sofa showed signs of long use; the beams and mantelpiece were of the same unadorned redwood as the walls. The solid wall to Kate's left held a cluster of watercolors on this side of the fireplace. The other wall was hidden from where Kate sat, but she could see another group of chairs at the other end of the room around a low table with a chess set. Her attention was caught by a change in Tyler's voice.
"... wine, Inspector Martinelli? No? Very abstemious of you. Inspector Hawkin? You don't mind if I do?" He limped over to the cabinet again and poured more of the amber liquid into his squat glass, then put the bottle with the unpronounceable name back on the shelf. A smoky fume rose from the glass, and he returned to put his back to the fireplace before he sipped from it. At bay, thought Kate, though Hawkin