now she had no idea you could also tell so much by what was in their walls.
âA woman who loved fashion obviously lived there,â she said.
âEither that,â said Olivier, âor a gay man.â
He looked into the kitchen where Gabri was gesturing with a ladle as though dancing. Voguing, in fact.
âGabriâs great-grandfather, you think?â asked Reine-Marie.
âIf itâs possible to come from a long line of gay men, Gabriâs done it,â said Olivier, and Reine-Marie laughed.
âNow,â she said, âwhat about the real find?â
They looked over to where Armand and Ruth were huddled.
âThe map,â said Olivier. âSome marks on it. Maybe water damage. And dirt, but thatâs to be expected. But being in the wall also preserved it. No exposure to sunlight. The colors are still vivid. It must be the same vintage as all the other stuff. A hundred years old or so. Is it worth anything, do you think?â
âIâm just an archivist. Youâre the antiques dealer.â
He shook his head. âI canât see selling it for more than a few dollars. Itâs fun and the art is good, but basically itâs a novelty. Someoneâs idea of a joke. And too local to be of interest to anyone but us.â
Reine-Marie agreed. It certainly had a beauty to it, but part of that was its silliness. A cow? A pyramid, for Godâs sake. And the three spirited pines.
Dinner was announced, if Gabri shouting, âHurry up, Iâm starving,â could be considered an announcement. It certainly was not news.
Over the scallops and shrimp and chunks of broth-infused salmon, they discussed the Montréal Canadiens and their winning season, they discussed international politics and the litter of unplanned puppies Madame Legaultâs golden retriever had had.
âIâm thinking of getting one,â said Clara, dipping a slice of toasted baguette, spread with saffron aioli, into the bouillabaisse. âI miss Lucy. It would be nice to have another heartbeat in the home.â
She looked over at Henri, curled in a corner. Rosa, forgetting her enmity for the dog in favor of warmth, was nesting in the curve of his belly.
âHowâs the portrait coming?â Reine-Marie asked.
Clara had managed to scrape the oil paint off her face, though her hands were tattooed with a near-permanent palette of colorful dots. Clara seemed to be morphing into a pointillist painting.
âYouâre welcome to take a look,â she said. âBut I want you all to repeat after me, âItâs brilliant, Clara.ââ
They laughed, but when she continued to look at them they all, in unison, said, âItâs brilliant, Clara.â
Except Ruth, who muttered, âFucked up, insecure, neurotic and egotistical.â
âGood enough,â laughed Clara. âIf not brilliant, Iâll settle for FINE. But I have to admit, my focus is being undermined by that damned blanket box. I actually dream about it at night.â
âBut have you found anything valuable?â asked Gabri. âDaddy needs a new car and Iâm hoping to turn that old pine box into a Porsche.â
âA Porsche?â asked Myrna. âYou might get into it, but youâd never get out. Youâd look like Fred Flintstone.â
âFred Flintstone,â said Armand. âThatâs who youââ
But on seeing the look of warning on Olivierâs face, he stopped.
âBaguette?â Armand offered the basket to Gabri.
âThat map?â asked Gabri. âYou all seemed interested in it. Itâs got to be worth something. Let me get it.â
He hopped up and returned, smoothing it on the pine table.
âThisâs the first time Iâve looked at it,â he said. âItâs quite something.â
But what, was the question.
âItâs both a map and a work of art,â said Clara. âWouldnât that