A Is for Alibi
reasons, but it never did appeal to me much.”

    "Who did the decorating?" I asked.

    Nikki smiled sheepishly. "I did. I don't think Laurence knew any better, but I took a subtle revenge. He insisted that we buy the place so I left all the color out.”

    The rooms were large, ceilings high, and plenty of light came in. The floors were dark-stained tongue and groove. The layout was very conventional: living room to the right, dining room to the left, with the kitchen behind. There was a sitting room beyond the living room and a long glassed-in porch along that side, running the length of the house. There was a curious air to the house, which I assumed was because no one had lived there for years, like a department-store display of especially elegant appointments. The furniture was still in place and there was no sign of dust. There were no plants and no magazines, no evidence of ongoing activity. Even the silence had a hollow tone, barren and lifeless.

    The whole interior was done in neutral tones: grays and oyster whites, hazel and cinnamon. The couches and chairs were soft upholstered pieces with rounded arms and thick cushions, a sort of art deco look without any attempt at flash. There was a nice blend of modern and antique and it was clear that Nikki knew what she was doing even when she didn't care.

    Upstairs, there were five bedrooms, all with fireplaces, all with bathrooms of remarkable size, deep closets, dressing rooms, the whole of it carpeted in thick fawn-colored wall-to-wall wool shag.

    "This is the master suite?”

    Nikki nodded. I followed her into the bathroom. Fat chocolate towels were stacked near the sink. There was a sunken tub, the surrounding ceramic tile a pale tobacco shade. There was a separate glassed-in shower that had been outfitted as a steam room. Soap, toilet paper, Kleenex.

    "Do you stay here?" I asked as we came down the stairs.

    "I haven't as yet, but I may. I have someone come in every two weeks to clean and of course there's a gardener on the premises all the time. I've been staying at the beach.”

    "You have another house out there?”
    "Yes. Laurence's mother left it to me.”

    "Why you and not him?”

    She smiled slightly "Laurence and his mother didn't get along. Would you like some tea?”

    "I thought you had to hit the road.”

    "I have time.”

    I followed her out to the kitchen. There was a cooking island in the center of the room with a big copper hood above the burners, a wide expanse of chopping block counter, and all manner of pans, baskets, and kitchen implements hanging on a circular metal rack that extended from the ceiling. All of the other counters were white ceramic tile; a double stainless-steel sink was sunk into one. There was a regular oven, a convection oven, a microwave, a refrigerator, two freezers, and impressive storage space.

    Nikki put some water on to boil and perched herself on a wooden stool. I took up a stool across from her, the two of us sitting in the center of the room, which looked as much like a chem lab as a cook's dream.

    "Who have you talked to so far?" she asked.

    I told her about my conversation with Charlie Scorsoni.

    "They seem like an odd pair of friends to me," I said. "My recollection of Laurence is a little hazy, but he always struck me as very elegant and cerebral. Scorsoni's very physical. He reminds me of a guy in an ad for chain saws.”

    "Oh, Charlie's a real scrapper. From what I hear, he came up the hard way, bulldozing his way past all obstacles. Kind of like the blurb on a paperback: 'stepping over the bodies of those he loved ...' Maybe Laurence liked that. He always talked about Charlie with grudging respect. Laurence had everything handed to him. Of course Charlie thought Laurence could do no wrong.”

    "That seemed clear enough," I said. "I don't suppose he had any motive for murder. Did you ever think he might have had a hand in it?”

    Nikki smiled, getting up to take out cups, saucers, and tea bags. "At

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