God
blazes so fiercely I feel the heat of the flames
He holds in one of His four arms.
I miss
the blissful ecstasy of the dancing Shiva
I saw.
Whose music I heard
as a child.
ACTING ANGER
At the bus stop, I hold my head high.
Iâm not a bride of long ago
being forced into marriage with someone she doesnât know.
Iâm not a widow of long ago
whose world is circumscribed to a circle at her feet.
Iâm the granddaughter of a woman
who was brave.
Who used her anger.
Who told me to treat the world as my stage.
I hold myself as straight as I can on crutches.
Pretend Iâm the legendary Queen Kaikeyi,
whose strength in battle impressed King Dasharatha
so much
he begged for her hand in marriage.
I stare down the first nosy stranger
who questions me.
Heâs a lowly subject
of the kingdom I rule.
The bus
is my royal chariot.
I return every curious glance
with my imperial glare.
No one dares pester me.
On my way out of the bus,
I poke through the crowd with my crutches.
The old woman who sits up front jerks her chin at me.
âYou there. Girl.
When are you going to tell us how you lost your leg?â
My regal stance must not scare everybody.
I bare my teeth in a too-wide grin.
âCrocodile bit it off.â
My sarcasm is lost on her.
She bends toward me.
âHow exactly did that happen?â
âLike this.â I thrust my face next to hers, open my mouth
and snap it shut. Crocodiles donât growl, but I roar, âGrrrr.â
The woman shrieks and
a ripple of laughter spreads
as I stride down my royal staircase.
Maybe I was mean. But if itâs won me peace, itâs worth it.
Paatiâs right. Itâs all a matter of how you deal with things.
And Chandraâs right.
Iâm strong. Even if my body is weaker.
My crutches tap out a victory march.
I strut,
tired but triumphant, toward school.
FIRST STEPS
âIs this my leg?â
A foot stuck on a metal pipe
all-too-visible through the transparent plastic âlegâ
that doesnât match
the curve or the skin tone of my real leg.
âA trial limb. The clear plastic lets me check the fit.
You can practice with this
until the more modern one is ready.â
Jim shows me a âsilicone sleeveâ that looks like a sock made of gel.
The sleeve fits over my residual limb.
A pin at the bottom of the sleeve
clicks to reassure me the leg is on properly
and clicks again when I take it off.
Jimâs added soft straps above my knee for extra security.
âReady to take the first step
toward your shining future?â Jim says.
Feeling as nervous as if Iâm about to go onstage
for another dance competition,
I rise.
My body weight isnât even.
Iâm leaning on my strong left side, stunned by the effort it takes
to raise my fake leg slightly off the floor.
How much strength did I lose
when they sawed off the muscles I once had?
My fake foot is cold, hard, senseless.
I glance down to see if itâs correctly stationed.
I take another wavering step.
My brain can command my artificial leg, but plastic canât reply
like muscles and nerves can.
Hunched over, watching my hesitant feet
I shuffle like the beggar Paati and I met
on the way to the temple.
âTrust your sense of touch,â Jim says.
âWalk like the dancer you are.â
Circling around the room with him a second time,
I straighten upâback and neck erect.
It gets easier. My third round already
earns me Jimâs usual compliment. âGreat job!â
I wish I could vent my joy
by leaping.
âStart slow, kiddo. Wear this limb a few hours at first.
Build up slowly to an entire day.
Tell me what this limb does and doesnât let you do
so I can modify the design we have in mind. Okay?â
I suck in my cheeks to keep from sighing with impatience.
The next time we retrace our route, Jim says,
âBack home, my patients can hold a guard