the black horse. A little beyond, the road widened into a small paved square, surrounded by dark, grimy buildings; through the entrances one could see steep, dank stairways, and courtyards full of rubbish, ringed by rusty balconies. There was an odor of boiled cabbage, of lye, and of fog. Antonio immediately recognized a neighborhood of old Milan, or, more precisely, the Carrobio, caught for eternity as it must have been two hundred years ago; he was trying in the uncertain light to decipher the faded signs of the shops when, from the doorway numbered
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, Giovannino Bongeri * himself jumped out, lean, quick, pale as one who never sees the sun, cheerful, chattering, and as eager for affection as an ill-treated puppy: he wore a tight, ragged suit, somewhat patched, but meticulously clean and pressed. He immediately addressed the two men with theease of an old acquaintance, yet called them âMost Illustriousâ: he made a long speech in dialect, full of digressions, which Antonio understood half of and James didnât understand at all; it seemed that he had been wronged, and had been wounded, but not to the point of losing his dignity as a citizen and an artisan; he was angry, but not to the point of losing his head. In his speech, which was witty and long-winded, one heard, under the bruising grind of daily toil, poverty, and misfortune, genuine candor, solid human goodness, and ancient hope. Antonio, in a flash of intuition, saw that in the phantoms of that neighborhood lived something perfect and eternal, and that angry little Giovannino, the junkmanâs helper, repeatedly beaten, mocked, and betrayedâ son of the angry little Milanese Carletto Portaâwas a purer, fuller character than Solomon in all his glory.
While Giovannini spoke, Barberina came to join him, pink and white as a flower, with lace cap and filigree hat pins, her eyes a little keener than honesty calls for. Her husband took her under the arm and off they went toward La Scala: after a few steps the woman turned and shot the two strangers an inquisitive glance.
Antonio and James started off again on a dusty path between bramble hedges: James delayed a moment to greet Valentino in his new clothes, playing on a stunted lawn with Pin di Carrugio Lungo. * A little farther on, the path followeda bend in a big muddy river. A rusty broken-down steamer was anchored near the bank. A group of white men were burying something in a grave dug in the mud, and an insolent-looking black man stuck his head up above the trench and announced, with fierce disdain, âMistah Kurtzâhe dead.â The tone of that voice, the setting, the silence, the heat, even the heavy swamp breath of the river were precisely what Antonio had always imagined.
He said to James, âItâs clear that one wouldnât get bored here. But what about practical needs? If, for example, one had to have a shoe resoled, or a tooth pulled?â
âWe have some modest social services,â James answered, âand the medical system is efficient, but with staff from the outside. It isnât that thereâs a shortage of doctors here, but they donât practice willingly. Often they are of an antiquated school, or they lack the equipment, or, again, they ended up here through some famous mistakeâprecisely what made them problematic, and therefore characters. Besides, youâll soon see that the sociology of the park is peculiar. I donât think youâll find a baker or an accountant; as far as I know, thereâs one milkman, a single naval engineer, and a sole spinner of silk. Youâll look in vain for a plumber, an electrician, a welder, a mechanic, or a chemist, and I wonder why. Instead, in addition to the doctors I mentioned, youâll find a flood of explorers, lovers, cops and robbers, musicians, painters, and poets, countesses, prostitutes, warriors, knights, foundlings, bullies, and crowned heads. Prostitutes above all, in
Chitra Banerjee Divakaruni