constant whenever I left the bar or my apartment. They were testing me, seeing what I might do, how close to their orders I would stay.
Or, conversely, waiting for someone to kill me.
10
I LIKE BARS . I don’t drink a lot but I like the air of a good bar—the ripe wisdom of animated conversation, the cutting smell of fine liquor, the sound of laughter among friends. Ollie’s was a good, simple bar. Quiet most nights, a wide, oaken bar surface, stools topped with leather that bore the imprints of loyal and regular customers, not a lot of kitsch on the walls—just mirrors from the beer companies and framed photos of Ollie’s father, the original owner, with many of his longtime customers. The regulars were a bit of a mix, older folks who’d been in the neighborhood a long while, younger folks with a bohemian bent who might be borrowing money from parents to pursue art or internships. Now and then the Manhattan-commuting professionals would slum at Ollie’s, and they tipped well and drank imports and more lavish cocktails. But the people, most of them, were nice. No one asked me questions. I just served the drinks, made idle talk when required, and no one knew my hell.
The Company got me an apartment three streets over from Ollie’s, on the edge of Williamsburg, in Brooklyn. It wasn’t cheap, but I wasn’t paying the rent, and the building I was in was seeing several units remodeled, soI didn’t have many neighbors. Howell, no doubt, liked my isolation. I assumed that Ollie’s and my place were being bugged, perhaps even with cameras hidden inside. Probably installed by August. I found the bugs, four of them, and the next morning I walked straight to the van, and as they stared at me in surprise, I laid the bugs on the van roof in a nice straight line. Then I walked away. The next day they had a new car to follow me in and I didn’t find any replacement bugs. Didn’t mean they weren’t there, though.
It was like life in a cage. But it wasn’t the stone prison cell. I wondered how long Howell’s men would keep an eye on me, and, if I didn’t draw out Lucy’s kidnappers, if they’d shutter me back behind bars.
I thought about how to escape. I would do myself no favors by rushing. I was still in a cage, but a cage where I could move. I did not want to be back in the Polish prison.
And when I wasn’t serving drinks, I thought about Lucy and The Bundle.
One day in late March, I arrived a bit hurt. A bicycle courier had sideswiped me while crossing a street and I’d fallen, scraping my forearm. My shadows did nothing to help me. I rolled up my sleeve to keep the shirt clean and went into the front; it was early afternoon on a Saturday and only one customer sat along the bar.
She was a few years older than me, maybe thirty. Pretty but with eyes of hard quartz, a slash of a mouth. Her cheekbones would have made a photographer contemplate a next great shot. She wore black slacks and a dark sweater. Her hair was blondish, the color of fresh straw, and cut to just above her shoulders. She picked up her neat whisky, drank it carefully. She moved with precision.She was not looking at me but I thought she was entirely aware of me. My first thought was:
She’s major trouble
.
“Do you have a first-aid kit?” I asked Ollie.
“Yes, in my office.” Ollie sounded irritated. I’d interrupted a discussion between him and the woman. He jabbed a thumb at me. “This one. Runs like a maniac, bouncing off stairs and buildings and such. He’ll fall and break his neck and then I’ll be out a halfway decent bartender.” Ollie felt self-esteem to be overrated.
The woman surveyed me. “
L’art du déplacement
?” Her voice was low and cool, like a summer breeze coming out of a tree’s shadow, and she had an odd accent I couldn’t quite decipher. She was beautiful to look at—although I had no real eye for any woman but Lucy—but I did not like her.
But she’d used the original French name for parkour