book. He hesitated before he read the first
Hello
, and she said âHelloâ before he did. Then they moved on to page four.
âI can run, John.â
âI can run, Sally.â
âSee me run, Mum.â
âSee me run, Dad.â
Makisâs mother stayed silent as Makis painfully spelt it out â but she joined in with him as he tried to speed up, to make more sense of it. And it was while they were doing this â heads touching, minds together at the age-old task, that Makis had his next big lift.
It came with a knock at the door.
âForgive me for intruding.â Mr Laliotis said.
âOf course.â With Kefalonian courtesy, Sofia gestured for him to come in.
He glanced around the room. âYou are workingâ¦?â
Sofia looked at Mr Laliotis, then at Makis, who was holding up the Red Spot book for their visitor to see. And, lifting her head, she said, âMakis is teaching me to read English.â
Makis nearly fell off his chair.
What?
Was she saving face for him â or had she guessed what he was doing? Had she worked out that he was tricking her into learning English? Whatever it was, he could only smile like a good loser.
âWell, I donât want to interrupt such a worthy enterpriseâ¦â
So did she feel OK about learning to read English? Or was this just to let him know that she had seen through him? Some footballs go where you want them to go by bouncing them off a playerâs legs.
ââ¦However, my wife is out this evening, and Iâve dusted off my balalaika. When youâve finished, perhaps Makis would like to come and rehearse a tune or two?â Mr Laliotis looked at the mandolin hanging on the wall. âThe Gibson
looks
good, but it always sounds even better.â
And Mr Laliotis, the famous BBC violinist, knew his name!
âWeâll read the next page, and then he can come up to you. Thank you.â
âAnd another time, weâll make it a little party, eh? When Mrs Laliotis is at homeâ¦?â
But Makisâs mother was vigorously shaking her head, and shrinking a little, back into the other, sadder Sofia Magriotis. âThank you, but I donât go out,â she said.
Mr Laliotis rode over the refusal like a gentleman. âThatâs very sad. But it would give me pleasure to play balalaika tonight,â he said. âIs it all right for Makis to come?â
âOf course.â Sofia Magriotis was a Kefalonian lady. âIâll send him up.â
âThank you. Then for the moment Iâll say⦠â and here Mr Laliotis smiled, and with a look over at the Red Spot book, finished in English â âGoodbye.â
To which Sofia bowed her head, âGoodbye,â she said, also in English and very matter-of-fact, as if sheâd been saying it all her life.
Mr Laliotisâs flat was everything that Makisâs wasnât. It was high above the street, it was light, and it had matching furniture. Where Sofia and Makis walked on linoleum and mats, Mr Laliotis had carpets; and while Sofia and Makis had one armchair, up on the middle floor there was a long sofa and two armchairs. But it was the piano that really set the places apart. It was a baby grand, near the window where the light fell across the keyboard. Makis stood in the doorway and felt like a delivery boy wringing his cap in his hand.
âCome in, come in!â Mr Laliotis had swapped his jacket for a short-sleeved pullover, his bow-tie for a collarless shirt. And in his hands he was holding his long-necked, maple balalaika. âLetâs tune our instruments, eh?â He took the mandolin from Makis and plucked the E string. He then plucked the first of his three balalaika strings, also an E. âThatâs not bad!â The tuning Makis had done downstairs brought a little nod from the man, and a wink as he began to tune the other strings of both instruments. âPlease check it,â he