living room a blanket and a sleeping bag arranged over the two armchairs in front of the television. They invited us to have dinner with them the next night.
When we went to their house the next night, we were offered rum cocktails by Monsieur Assiez-de-Pompignan before dinner and afterward we watched a movie with them. When it ended, we left, hurrying to our car against the wind, through the narrow, shuttered streets, dust flying in our teeth.
The following day, for dinner, we had one sausage. The only money left now was a pile of coins on the living-room table collected from saucers around the house and amounting to 2.97 francs, less than fifty cents, but enough to buy something for dinner the next day.
Then we had no money at all anywhere in the house, and almost nothing left to eat. What we found, when we searched the kitchen carefully, was some onions, an old but unopened box of pastry crust mix, a little fat, and a little dried milk. Out of this, we realized, we could make an onion pie. We made it, baked it, cut ourselves two pieces, and put the rest back in the hot oven to cook a little more while we ate. It was surprisingly good. Our spirits lifting, we talked as we ate and forgot all about the pie as it went on baking. By the time we smelled it, it had burned too badly to be saved.
In the afternoon of that day, we went out onto the gravel, not knowing what to do now. We tossed pebbles for a while, there in the boiling sun and the cool air, saying very little because we had no answer to our problem. Then we heard the sound of an approaching car. Along the bumpy dirt road that led to our house from the main road, past the house of the weekend people, of pink stucco with black ironwork, and then past a vineyard on one side and a field on the other, came the photographer in his neat rented car. By pure chance, or like an angel, he was arriving to rescue us at the very moment we had used up our last resource.
We were not embarrassed to say we had no money, and no food either, and he was pleased to invite us out to dinner. He took us into town to a very good restaurant on the main square where the rows of plantain trees stood. A television crew were also dining there, twelve at the table, including a hunchback. By the large, bright fire on one wall, three old women sat knitting: one with liver spots covering her face and hands, the second pinched and bony, the third younger and merrier but slow-witted. The photographer fed us well on his expense account. He stayed with us that night and a few nights after, leaving us with several fifty-franc notes, so we were all right for a while, since a bottle of local wine, for instance, cost no more than one franc fifty.
When winter set in, we closed one by one the other rooms in the house and confined ourselves to the kitchen with its fat oil-burning stove, the vaulted dining room with its massive oak table where we played cards in the thick heat from the kitchen, the music room with its expensive electric heater burning our legs, and at the top of the stone stairway the unheated bedroom with its floor of red tiles so vast there was ample time for it to dip down in the center and rise again on its way to the single small casement window that looked out onto the almond tree and the olive tree below. The house had a different feeling to it when the wind was blowing and parts of it were darkened because we had closed the shutters.
Larks fluttered over the fields in the afternoons, showing silver. The long, straight, deeply rutted road to the village turned to soft mud. In certain lights, the inner walls of the ruined outbuilding were as rosy as a seashell. The dogs sighed heavily as they lay down on the cold tiles, closing their almond-shaped eyes. When they were let out into the sunlight, they fought, panting and scattering gravel. The shadow of the almond tree in the bright, hard sunlight flowed over the gravel like a dark river and lapped up against the wall of the house.
One
Learning to Kill: Stories