time to see Manfred replace the receiver on its cradle, groping for the surface of the counter to steady himself. His face was ashen, even the high color of his recent exertions on the squash court drained from it.
Peter hurried over. Manfred’s blank eyes seemed focused on some distant, imaginary horizon. ‘Manfred, are you all right?’ he asked. Only when he rested a hand on his friend’s arm did Manfred appear to register his presence.
‘My sister…she’s dead.’
‘What? How? I saw her at El Morocco’s only last night.’
‘Not Gayle. Lilly.’
‘Lilly?’
‘She drowned.’
Peter remained silent, not because he couldn’t think of anything to say, but because in the twenty-two years he had known Manfred Wallace he had never once seen him cry.
Five
As Hollis turned off Woods Lane, a dog darted into the road. He braked suddenly, stalling the car, and the small basket of chocolates spilled off the passenger seat on to the floor. He let them lie where they fell—already softened by the heat, the dirt clinging to them—then he restarted the engine and carried on along Highway Behind the Lots.
Abel lived in a modest cottage near the junction with Wireless Road. It was the house he had grown up in, the only house he had ever known. His father, an engineer with a New York firm, had moved with his wife and newborn son to East Hampton soon after the Great War to oversee the construction of a wireless telegraphy station on a plot just south of Cove Hollow Road.
By 1921 Henry Cole’s work was done, but East Hampton had weaved its spell on him. A keen amateur photographer, he secured a loan for a down payment on a narrow store on Main Street, and for the remainder of his life devoted himself to photographic portraiture. Abel was nineteen years old at the time of his father’s death, and it was natural that he take over the business. However, with money tight he was in no position to move out of the family home, and he had to content himself with entertaining a string of local girls on the plum-velvet Victorian couch in the shop, the one reserved for family portraits. With his dark, broken looks, his languid manner and quick wit, there was never any shortage of young women willing to test the springs with him.
His mother died quite unexpectedly of a stroke the day after the German army entered Paris. The two events were not necessarily unconnected. Sylvie Cole had spent the first eighteen years of her life in a small apartment off the Square des Batignolles in the 17th arrondissement of that city, before boarding a ship in Le Havre bound for New York.
The only son of an only son, destined never to meet his mother’s family from whom she was estranged, Abel found himself alone in the world at the age of twenty-three with an ailing business and a small shingled cottage on Highway Behind the Lots.
Set some distance back from the road, the front lawn of the house was an untended meadow of tall grasses and wild flowers, Queen Anne’s lace and black-eyed susans. A narrow swathe of clipped lawn provided the only access to the house, obliging visitors to run a gauntlet of butterflies and bees in order to reach the front porch, which was fringed with self-seeded hollyhocks, well over six feet tall at this time of year.
If Hollis knew the names of the flowers it was only because Abel’s girlfriend, Lucy, had talked him through them on many occasions. Although they didn’t live together, Lucy had staked her claim to the front and back gardens—wild, unruly kingdoms which belied the thought, expertise and hard work behind them.
Lucy made a comfortable living maintaining the gardens of city people. Out of season she pruned their shrubs, cut back their perennials, planting bulbs and annuals so that their borders, pots and window boxes were ablaze with color come the summer when they took up residence once more. The summer months were her quietest time of the year. She had a team of local boys, headed by her