odds. Words did not say what was being said nor even its reverse. I learned to speak a new language and soon mastered the special elements of that tongue.
In a curious way I liked my job—in the beginning, at least. It made me think and see as I had never done before. In those early days I visualized my mind as a dark room with many doors. I functioned best with several doors open. Sometimes I opened more doors, let in more light, risked the truth. If anyone seemed to perceive a distant threat in my remarks or actions, I closed all the doors but one. That was the safestposition. But usually I kept three or four doors open. The image of this room was often with me. When I spoke at a meeting I could see the doors opening and closing in my mind and soon I arrived at the point where I could regulate the ebb and flow of light with absolute precision. I got a raise and then another. I became involved in the actual production of shows. Meanwhile, life with Merry went on the same way, a blend of jump-cuts and soft-focus tenderness. But something else edged in, a whisper of desperation. I’d come home late and find her sitting on the floor wearing a sombrero and trying to write a haiku. It pained me to learn that she did these things even when she was alone. She bought many funny hats during this period and wore them everywhere—sombreros, jockey caps, straw boaters, a wool seaman’s hat, a wide-brimmed mata-hari, a fez, a baseball cap. The black machine ticked.
“Let’s do something mad tonight,” Merry would say.
But there was nothing left to do. We tried to rediscover the spontaneous joy of that roller coaster ride. We even went back there once, a pair of veterans returning to the Normandy beaches, but it rained that night and we sat in the car in the parking lot and watched the high white lights go out. Feeling it was a time for final gestures, for the ultimate convolution, I made clumsy love to her in the front seat. The motor was running, wipers working, radio caught in a buzz between stations, and we bumped through all these sounds as through an interstellar pocket in deepest space.
The first girl was Jennifer Fine. I realize there is nothing more dull than another man’s chronicle of infidelity and in many ways that first affair of mine was a dullard’s dream; it differed from most only because I was not a commuter and did not have to adapt my orgasms to the disciplines of a train schedule. Yet a few words must be said here about Jennifer Fine if only to show what happens to people like myself when they are given something like love and asked for nothing in return but a recognition of the other’s need for some elementalform of gentleness. She was a dark girl with large brown eyes. She worked in the research department of the network. We had met there when I was a mailboy, and she had seemed lonely and interesting. Once I realized that Merry and I could not remember our lines, I looked up Jennifer’s extension in the network directory. She was the one, I decided, who would guide me into the vortex of the cliché.
We met for a drink in one of those oxblood pubs on the East Side where the laughter and tinkling chatter seemed canned, subject to volume control. I established a format by showing up five minutes late, knowing that Jennifer would arrive precisely on time; that was the kind of girl she was. We ordered drinks and talked cheerfully for a few minutes, mostly about network people we both hated. Then we lapsed into a massive silence as if suddenly realizing that all possible communication between us had been exhausted in ten routine sentences. I knew I was going to like Jennifer. I liked the way she held to her silence. In that movie-set atmosphere she seemed a librarian-mystic. Her face was thin and not quite pretty (but at the same time almost beautiful) and it was partly concealed by her long hair; purposely, I thought, as if the face sought refuge from time to time. Her hands could not keep still and