in my being a black machine began to tick. Merry bought some striking clothes with the help of an allowance her father gave her. She had the right figure for the kind of condensed clothing everybody was wearing then. We were always very conscious of what we wore and there were no rules to worry about. One way or another, everything we wore looked great. We saw all the new movies and went to a lot of parties. We seemed tobelieve that everything we did was the most wonderful thing that had ever been done. We wore certain clothes to certain movies. Grays for black and white. Boots, leather, chino, flag shirts and the like (our pre-acid gear) for Technicolor. Dressing, we matched each unmatching item with great care and spent several minutes assuring each other that we were ready for the waiting line at Cinema I. Each movie we saw was the greatest. Merry would talk about it constantly for two days and then forget it forever. There was no time for remembering things because something else was always coming along—another great movie, a great new pub or restaurant, a great new men’s shop, boutique, ski area, beach house or rock group. I took an army physical and edged out a narrow escape thanks to my trick knee and a chronic cyst at the base of my spine. The action was really just beginning then and they were fairly selective about the young men they tapped for immortality.
Soon I was no longer content merely to make love to my wife. I had to seduce her first. These seductions often took their inspiration from cinema. I liked to get rough with her. I liked to be silent for long periods. The movies were giving difficult meanings to some of the private moments of my life.
Meredith was strongly influenced by British films of the period. She cultivated a sort of corporate unpredictability. Walking with me on the street she would suddenly release her hand from mine and skip away into some fantasy sequence. When we shopped together she stole things, one or two small useless items, hiding them in her sweater and making jokes about looking pregnant. At the Metropolitan Museum she told a guard I had tried to molest her in the Egyptian Tomb; this was the first of many such quaint harassments of people in minor positions of authority. Once we saw an old lady in Central Park selling flowers. Merry asked me to buy two dozen mums and then led me to the small bridge at the southeast end of the park. We stood on the bridge and dropped the flowers in the lake, one by one, as the duckscircled in the violet haze. It was all there but the soundtrack and I could imagine a series of cuts and slow dissolves working in Merry’s mind.
At work I dressed in the establishment manner, which, granted, was not without a touch of color, the establishment having learned that every color is essentially gray as long as everyone is wearing it. So I did not hesitate to show up for work in an orange tie, but never more orange than the orange others wore.
Once out of the mailroom, I began to learn more about fear. As soon as fear begins to ascend, anatomically, from the pit of the stomach to the throat and brain, from fear of violence to the more nameless kind, you come to believe you are part of a horrible experiment. I learned to distrust those superiors who encouraged independent thinking. When you gave it to them, they returned it in the form of terror, for they knew that ideas, only that, could hasten their obsolescence. Management asked for new ideas all the time; memos circulated down the echelons, requesting bold and challenging concepts. But I learned that new ideas could finish you unless you wrapped them in a plastic bag. I learned that most of the secretaries were more intelligent than most of the executives and that the executive secretaries were to be feared more than anyone. I learned what closed doors meant and that friendship was not negotiable currency and how important it was to lie even when there was no need to lie. Words and meanings were at
M. S. Parker, Cassie Wild
Robert Silverberg, Damien Broderick