skin.
‘He’s back, I tell you! I heard him. I heard him laughing.’
Ordinarily, a man in his position would be prone to an embarrassed laugh or a nervous smile when confronted by a raving ninety-two-year-old woman in her nightgown, but there was something about her determined face and wild rheumy eyes that made Seth uneasy. Particularly considering what he too had heard on the other side of that door.
Seth made a bold move. He stood close to Mrs Roth, nodding in sympathy. ‘I know. I’ve heard noises in there for a while now. But what is it?’
‘What? Speak up. Don’t be ridiculous. What are you saying?’
He nodded his head towards the door. ‘In there. At night. I made reports. About the noises. The bumping. In the hallway. Furniture being knocked over. Things. Like that.’
Mrs Roth’s pointed face blanched a sickly shade of pale. The tremble in her frail, monkey limbs became a shake. He thought she might fall over, and moved forward to take her elbow. She clutched at him for support and dropped her head.
‘No,’ she whispered. And then, ‘No,’ again, but to herself. She looked up at him like a child after a fright. ‘Take me home. I want Imee. Get Imee. Where’s Imee? I want Imee.’
Tense and uncomfortable in the face of her indignity, he walked her slowly towards the lift door and then summoned it from the ground floor by punching the button in the polished brass plate. As he waited he realized his shirt was drenched with sweat again.
The groaning cables seemed to take an age to haul the heavy but elegant carriage up from the ground. And all the while, in his discomfort, Seth tried to reassure Mrs Roth with comments about Imee and bed, until she told him to, ‘Shut up, just shut up,’ and waved a hand at his face.
When he opened the outer doors and guided her inside the lift carriage, she screwed her eyes closed and seemed more decrepit and bent-over than ever, as if being forced to remember something especially painful. Something that broke her. Broke what little spirit remained in that old frail body.
Up on the ninth floor, the door to her apartment was still open, and Seth rang the bell to raise Imee, who came swiftly from her little room at the end of the long hall. Clutching her blue dressing gown across her front, as if to protect her modesty from the eyes of the porter, she snatched Mrs Roth off him, and cast him a sullen, angry look, before closing the front door on his whispered explanations. Mrs Roth had begun sniffing and crying the moment she saw Imee.
‘Bitch,’ Seth muttered at the closed door, and took the lift down to the staffroom in the basement. Where he pondered, with some discomfort, who Mrs Roth had been referring to outside the front door of apartment sixteen.
FIVE
‘Mama, she never threw anything out. Nothing. I’m not kidding. You should see the clothes in her room. There’s like a hundred dresses and suits and coats and stuff. Going back to, like, the forties. It’s all still here. Like a fashion museum or something. We inherited a goddamn museum. The Lillian collection. And some of the dresses are so beautiful.’ Apryl walked back and forth in her great-aunt’s bedroom, her cell phone pressed to her ear.
But she knew her mother could never comprehend what she’d uncovered in her great-aunt’s rooms. Not unless she saw it herself. Which she never would, due to her pathological terror of flying. And Apryl felt unable to describe her discoveries adequately, or to impress upon her mother the atmosphere of the apartment: the faded grandeur, the ever-present sense of loss, the chaotic defence an old woman had built against the world outside, the disturbed inner life still evident in unoccupied rooms with shrines and rituals and habits long maintained but now just plain mystifying.
Two of the rooms, the smaller bedrooms at the end of the cluttered hallway on the right side, were choked with debris. In each room she’d found a single bed with an ancient