Arcadia Snips and the Steamwork Consortium

Arcadia Snips and the Steamwork Consortium by Robert Rodgers Read Free Book Online Page B

Book: Arcadia Snips and the Steamwork Consortium by Robert Rodgers Read Free Book Online
Authors: Robert Rodgers
Tags: Steampunk, SteamPunkKidz
of argument," Mr. Eddington continued, pouring out shots for Mr. Tweedle and himself. "Whatever that activity might be, it is not the target of the Count's investigation."

    Mr. Tweedle was so eager to drench his worries in alcohol that he slopped the liquor over the front of his coat. It was not long before he was thrusting the glass out for a second helping. "But they'll blunder upon it, no doubt. You would have to be incompetent not to see what it is we're up to."
    Mr. Eddington supplied the refill with a smile. "Yes," he said. "You would, wouldn't you?"
    “Who on earth would be—”
    “Are you familiar with a detective by the name of Mr. Watts, Mr. Tweedle?”
    Mr. Tweedle was given a start. “Jerome Watts? The mad inspector? The one with the pigeons?”
    “I think he would make an exceptional investigator for this case, don't you?”
    Realization hit Mr. Tweedle with a start. "I see! But still, it seems all so delicate, Mr. Eddington. I’m just worried—"
    "Leave the worrying to me, Mr. Tweedle," Mr. Eddington said, suppressing the desire to roll his eyes. "So long as you abide by my instructions, everything shall go according to plan."
    "But what of that 'government consultant' fellow? That sounds a bit troubling, doesn't it?" He almost sounded hopeful; as if the thought of having it all found out brought the man some degree of comfort.
    "Oh, yes, that," Mr. Eddington said, chuckling derisively. "I have every bit of confidence that the matter of this consultant will be solved swiftly and decisively."
    ~*~

    The government bureaucrat’s waiting room had long since passed ostentatious, strolled beyond elegant, and waded through a pile of money back to ostentatious again. Long rows of books with impressive titles threatened to crush the many shelves beneath their weight. The upper walls were choked beneath framed diplomas and awards all clambering over one another to heap countless honorifics upon their owner, while the lower walls were crowded with extravagant panel moldings of flora and fauna. The area was illuminated by a gilt-covered gasolier and several windows lurking high out of reach, as if placed in a direct attempt to prevent the room's occupants from escaping.
    Present were four figures of note:
    Kronan the Butcher; a solid block of muscle wrapped in a cheap suit and topped off with a battered cap. He was known both for his affinity for violence and his artistic sensitivity; his most recent work had received rave reviews. Entitled 'Corpse Poetry', it was a method of expressive corpse arrangement, allowing the artist to convey a variety of emotions and concepts. When he wrote a rather conservative piece using several critics who had treated his previous work harshly, the art community as a whole suddenly discovered a newfound respect for his unappreciated genius. He sat upon a comfortable armchair, remaining perfectly still.
    Taz the Burr; a contortionist with a constant smile fixed to his face and an affinity for aggressive property redistribution. He had reportedly broke into the Royal Treasury with nothing more than a rusty nail and his cheerful grin, then slipped on out the front door—tipping the guard on his way. He sat upon a lovely side chair, remaining perfectly still.
    Durden the Knife; a mysterious foreigner who wore a hooded robe that sharply contradicted the stuffy coats and jackets of his contemporaries. He preferred the pearl-lined hilts of his razor-edged scimitars to the cool grip of a pistol; according to the rumors, he had once dodged a bullet. He sat in an open cot, remaining perfectly still.
    And finally, the man in black. He possessed all the lethargic grace of a long-toothed alley cat, with the scars to match—and his head was shaved as smooth as glass. He wore a pitch-black long coat and stood at the back of the room, rolling a cigarette. His nose was made of bronze and hooked like a vulture's, attached to his face by glue and several crude looking bolts.
    The door opened. A

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