Artists in Crime by Ngaio Marsh Read Free Book Online Page B

returned here after a year’s absence abroad, on September 3rd. During her absence the house was occupied by a Miss Katti Bostock, another painter. Miss Troy arranged by letter to take eight resident pupils from September to December, and all of these were already staying in the house when she arrived. There was also a Sonia Gluck, spinster, aged twenty-two, an artist’s model, engaged by Miss Bostock for the coming term. The classes began officially on the 10th, but they had all been more or less working together since the 3rd. From the 10th to Friday the 16th they worked from the model every morning in the studio. On the 16th, three days ago, the class disbanded for the week-end, in order that members might attend a function in London. The servants were given Friday night off, and went to a cinema in Baxtonbridge. One student, Wolf Garcia, no permanent address, remained alone in the studio. The house was closed. Garcia is believed to have left on Saturday the 17th, the day before yesterday. Miss Troy returned on Saturday at midday and found Garcia had gone. The others came back on Sunday, yesterday, by car, and by the evening bus. This morning, September 19th, the class reassembled in the studio, which is a detached building situated about a hundred yards to the south-east of the rear eastward corner of the house. Here’s the sketch plan of the house and studio,” said the superintendent in a more normal voice. “And here’s another of the studio interior.”
    “Splendid,” said Alleyn, and spread them out before him on a small table. Mr. Blackman coughed and took up the burden of his recital.
    “At ten-thirty the class, with the exception of Garcia, who, as we have seen, had left, was ready to begin work. Miss Troy had given instructions that they were to start without her. This is her usual practice, except on the occasions when a new pose is to be set. The model lay down to resume the pose which she had been taking since Septembebr 10th. It was a recumbent position on her back. She lay half on a piece of silk material and half on the bare boards of the dais known as the model’s ‘throne.’ The model was undraped. She lay first of all on her right side. One of the students, Miss Valmai Seacliff, of No. 8 Partington Mews, W.C.4, approached the model, placed her hands on Gluck’s shoulders and thrust the left shoulder firmly over and down. This was the usual procedure. Gluck cried out ‘Don’t!’ as if in pain, but as she habitually objected to the pose, Miss Seacliff paid no attention, shifted her hands to the model’s chest, and pressed down. Gluck made another sound, described by Miss Seacliff as a moan, and seemed to jerk and then relax. Miss Seacliff then said: “Oh, don’t be such a fool, Sonia” and was about to rise from her stooping posture when she noticed that Gluck was in an abnormal condition. She called for the others to come. Miss Katti Bostock, followed by two students, Mr. Watt Hatchett, an Australian, and Mr. Francis Ormerin, a Frenchman, approached the throne. Hatchett said: ‘She’s taken a fit.’ Miss Bostock said: ‘Get out of the way.’ She examined the body. She states that the eyelids fluttered and the limbs jerked slightly. Miss Bostock attempted to raise Gluck. She placed her hand behind the shoulders and pulled. There was a certain amount of resistance, but after a few seconds the body came up suddenly. Miss Seacliff cried out loudly that there was blood on the blue silk drape. Mr. Ormerin said: ‘Mong dew, the knife!’ ”
    Mr. Blackman cleared his throat and turned a page.
    “It was then seen that a thin triangular blade protruded vertically through the drape. It appeared to be the blade of some sort of dagger that had been driven through a crack in the dais from underneath. It has not been moved. It seems that later on, when Miss Troy arrived, she stopped anybody from touching the dais as soon as she saw what had occurred. On examining Gluck a wound was discovered