though you are upon a
stage, and I am in the audience. This nearness is preferable,
donât you think?â
âI think if you become lax, that you will
fall into bad habits.â
âIt is a risk I think worth
taking.â
âIf I am to educate you, I must educate you
on all matters.â
âEducate me on this then. Mr. Spellman left
his documents on my desk, and I looked them over very carefully.
They provided descriptions of the items purchased. I was surprised
to discover how plain much of the clothing was.â
She reached for her wineglass, her hand shaking.
She took a longer swallow than usual, before saying, âI have
occasion to wear plain clothing.â
âAnd how do you explain the dolls?â
âMy hobby. I collect them.â
âIâve never seen any here.â
âI keep them in a room for my private
enjoyment.â
He studied her, trying to determine why she seemed
so incredibly nervous, and what reason she could possibly have for
lying to him. âI thought the purpose of a collection was to
display itââ
âThe purpose of a collection is simply
thatâto collect.â
âWhat are you afraid of?â
âIâm not afraid of anything.â
âEveryone is afraid of something.â
âWhat of you then? What are you afraid
of?â
âIâm afraid of never finding love, of
living alonely life, and at its end finding
myself with nothing except discontentment.â
She looked at him as though sheâd never seen
a sadder creature. âDo you not understand that you
shouldnât reveal so much of yourself?â
âIf I donât, then how will anyone truly
come to know me? To trust me?â
âWhy can you not be content to gaze upon the
surface?â
âBecause it isnât the surface that
draws me to you.â
She came up out of the chair as though someone had
suddenly lit a fire beneath her. âI have no desire to discuss
so private a matter where servants can hear. You may join me in the
drawing room as soon as youâve finished with your
dinner.â
She swept from the room as though she were a woman
scorned. He hardly knew what to think, how to react. He was not a
stranger to women. On the contrary, heâd enjoyed the company
of his fair share over the years, had been left with the impression
that theyâd enjoyed being with him as well. But then none of
them had been married to the old earl, and from what heâd
been able to ascertain from those who knew him, few had liked the
man.
With a sigh, he shoved back his chair and stood.
Perhaps she thought all earls of Sachse were cut from the same
cloth.
He walked out of the room, down the hall, and into
the drawing room. Standing before a window, she was gazing out into
the night. The firelight from the nearby hearth played over her
golden brown hair, the delicate slope of her neck, her narrow
shoulders. At moments like this he found it difficult to envision
her as the haughty woman she so often came across as being.
âWould you prefer for me to leave your
home?â he asked.
âIt is not my home.â She glanced over
her shoulder at him. âAll of this is yours. Do not think for
a single moment that I forget that fact. I know it is only your
generosity and kindness that allows me to live in this house. You
may ask or demand of me what you will, and I have no choice except
to follow through on your wishesâuntil I have found another
husband to see after me.â
âYou are not my slave, Camilla.â
âBut you provide for me, do you not? The old
Sachse, may he rest in hell, made no provisions for meâas Mr.
Spellman was only too quick to remind you.â
And perhaps that was a good deal of the problem. He
couldnât imagine being in her situation when she never knew
from one day to the next if his generosity would be withdrawn. If
so, how would she live?
As though sensing the direction