in craters and pans, sometimes in grotesque shapes and sometimes in dazzling architectural forms. It was blue and white and sometimes grey and at other times a dazzling emerald green.
The dog and I changed our direction towards the sea, to find what the ice might yield. Our land had always been beside the sea and we had always gone towards it to find newness and the extraordinary; and over the years we, as others along the coast, had found quite a lot, although never the pirate chests of gold which were supposed to abound or the reasons for the mysterious lights that our elders still spoke of and persisted in seeing. But kegs of rum had washed up, and sometimes bloated horses and various fishing paraphernalia and valuabletimber and furniture from foundered ships. The door of my room was apparently the galley door from a ship called the
Judith Franklin
which was wrecked during the early winter in which my great-grandfather was building his house. My grandfather told of how they had heard the cries and seen the lights as the ship neared the rocks and of how they had run down in the dark and tossed lines to the people while tying themselves to trees on the shore. All were saved, including women clinging to small children. The next day the builders of the new house went down to the shore and salvaged what they could from the wreckage of the vanquished ship. A sort of symbolic marriage of the new and the old: doors and shelving, stairways, hatches, wooden chests and trunks and various glass figurines and lanterns which were miraculously never broken.
People came too. The dead as well as the living. Bodies of men swept overboard and reported lost at sea and the bodies of men still crouched within the shelter of their boats’ broken bows. And sometimes in late winter young sealers who had quit their vessels would walk across the ice and come to our doors. They were usually very young – some still in their teens – and had signed on for jobs they could not or no longer wished to handle. They were often disoriented and did not know where they were, only that they had seen land and had decided to walk towards it. They were often frostbitten and with little money and uncertain as to how they might get to Halifax. The dog and I walked towards the ice upon the sea.
Sometimes it was hard to “get on” the ice, which meant that at the point where the pack met the shore there might be open water or irregularities caused by the indentations of the coastline or the workings of the tides and currents, but for us on that day there was no difficulty at all. We were “on” easily and effortlessly and enthused in our new adventure. For the first mile there was nothing but the vastness of the white expanse. We came to a clear stretch where the ice was as smoothand unruffled as that of an indoor arena and I knelt on the sleigh while the dog loped easily along. Gradually the ice changed to an uneven terrain of pressure ridges and hummocks, making it impossible to ride farther; and then suddenly, upon rounding a hummock, I saw the perfect seal. At first I thought it was alive, as did the dog who stopped so suddenly in his tracks that the sleigh almost collided with his legs. The hackles on the back of his neck rose and he growled in the dangerous way he was beginning to develop. But the seal was dead, yet facing us in a frozen perfection that was difficult to believe. There was a light powder of snow over its darker coat and a delicate rime of frost still formed the outline of its whiskers. Its eyes were wide open and it stared straight ahead towards the land. Even now in memory it seems more real than reality – as if it were transformed by frozen art into something more arresting than life itself. The way the sudden seal in the museum exhibit freezes your eyes with the touch of truth. Immediately I wanted to take it home.
It was frozen solidly in a base of ice so I began to look for something that might serve as a pry. I let the dog out