a doubtful glance he adds, âYes, sheâs absolutely fine.â
The conviction reflected in his eyes assures me that he believes his words, and his certainty is a relief. A weight lifts from my shoulders, one that I didnât even know was there. Mama is okay .
âBut I canât see her?â I ask, just to be sure.
âNo,â he says. âIâm sorry.â
âHmm, youâd think one perk of dying would be reuniting with people you love, right? Isnât that what all the movies show?â
âIt isnât like in the movies, Callie,â says Thatcher, with the hint of a smile, a kindness in his face that eases some of the anxiety Iâm feeling.
I study the slatted wood of the dock under my feet. The evening shadows are starting to fall nowâthe skyâs golden glow is giving way to a blue twilight, and the Living are heading back to their cars. I see the ghosts shuffling among them, too, slowly, calmly. âDid you know her?â I ask.
âYour mother?â
I nod.
His mouth sets in a tight line, like heâs trying to decide what to tell me. âShe left just after I . . . arrived,â he says.
âSo you met her,â I say.
âBriefly.â
âAnd then she left because . . .â
âGhosts move on when theyâve completed their haunting,â he says.
âWhat do you mean?â I ask.
âLet me show you. Walk with me.â
We head to the end of the pier, moving quietly side by side. I watch people pass usâmostly Living, but ghosts, tooâsharing space and interacting with each other. A few of the glowing beings even nod at me and Thatcher, and I politely wave back. Iâm confused, sad, maybe in shock. But I donât feel like my life is over. It canât be. And there was Ella with her familyâsailing with them just as if she were alive.
âEveryone is so peaceful,â I say, thinking back on each scene I just witnessed and the ghosts I see now. âItâs not at all like the stories Iâve heardâthe moaning and wailing and terrorizing that ghosts do.â
âGhosts are peaceful beings,â says Thatcher. He furrows his brow like heâs thinking about what he just said. Then he adds, âFor the most part.â
Five
THATCHER TRACES A PORTAL in front of us, using his hand to cut an opening through what wasâonly moments beforeâempty air. Hundreds of tiny points of light blaze into a glow like sunspots framing the portal. We walk through together. This time, I sense him with me in the space, traveling at a smooth speed almost like weâre two bullets lined up inside the chamber of a gun. I wonder what this would feel like if I were still alive, if my body were really here and hurtling through dimensions like this. I bet it would be the ultimate rush, but as a ghost, the motion feels natural and almost calm. Itâs silent and effortless, and in some ways it seems instant, but I donât trust my notion of time.
When we get to the other side, I take in a sharp breath.
Itâs my bedroom, just as I left it. My middle dresser drawer is open, and a blue tank top hangs over its edge. Something inside me starts to crack. Iâd considered bringing the tank top as part of my day-after-with-Nick outfit, but I went with a plain white T instead. Half a glass of lemonade rests on the nightstandâCarsonâs, left behind after she helped me get ready for my night with Nickâand my pajama shorts are balled up next to my pillow. The bed, as always, is unmade.
This is my room, these are my things, this is whatâs left from my life. But Iâm absent. None of these objects means anything, really, but seeing them in this moment, they mean everything .
Thatcher is watching me carefully. He must read the heartbreak in my face, because he comes closer to me and says softly, âTell me about them.â He points to the photos over my