fussed over it, patting it into ten syllable lines, and though it refused to rhyme she felt sheâd found something better in herself.
Striding over the grass, leaving behind
your polished old ute, ukulele slung
loosely over one arm, in the other
a picnic basket, a warm blanket rolled.
Weâve some hours here at midlife, no more, no
tomorrow together, nor yesterday.
Through smoke-light passing over the mountain,
I skip like Iâm a carefree child again,
bringing some humble, half transformed objects,
for you to test, to bite like a jeweller,
to find a measure of truth, and if not
a wholesome rebuke and a guiding word.
But first, Iâll listen to your homemade songs
my head on the ground, my eyes toward sky
while your fingers pick keen melodies from string;
each note sawing the air, the earth, our selves.
By now your hands have cradled babies, built
houses, turned soil for sowing and seeking;
fossils and seedlings, worms and foundations
as you remake earth so the earth shapes you,
training your gist to more tender beauty.
Your life crosses mine for this brief moment.
Although we are barely more than strangers,
let me tell you: youâre fighting the good fight.
Seeing your eyes softly battered by time,
baby wrinkles cupping each, like the feet
of hummingbirds, unbidden affection
rises in me like a bread loaf baking.
What kinship have we? What is this rising?
Who mixed the dough and who set it to bake?
Who eats from it, and whom does it nourish?
Speak here with me and rest, till violet
ends our tryst with her motionless shadow.
Breaking the bread of this incarnation,
weâll eat, commend ourselves to God, and part.
No cambric shirt for Karl, seamless and mystical. Just this imagined meeting where the unsayable could be said, and farewelled. She pecked out a clean copy on the old typewriter, read it over, and sealed it in an envelope marked âKarl.â She would drop it in a red post box, and never think of him again.
And so it might have been, if it hadnât been for a crisis in the bridal shop.
âYour heartâs just not in this,â accused Emily, as Mallory stood in the feathery, corseted gown, sweat filming the nape of her neck, staring at her hollow-eyed reflection. âYou should be excited. Happy.â
âI feel lumpy, thatâs all.â
âWhy are you even marrying him?â
âBecause heâs nice.â She thought of Rickâs brown curls, his laughing green eyes, his stubby fingernails. âBecause heâs the father of my daughter. Because when he asked me, I thought, I might as well marry him as marry anybody.â
âThey are not good reasons, if you ask me,â said the shop assistant, though nobody had.
âHas something changed?â asked Emily.
Mallory hesitated. Should she tell her? The poem in its envelope lay in her handbag, a white corner sticking out; in fact, if the bag fell open another inch or two, the bold capital letters spelling KARL would give the game away.
âI justâbegan to imagine what it might be to be in love .â
âThatâs not a good reason either,â said the assistant, tweaking a feather on Malloryâs gown. âLove is whatâs left when being in love is burned away. I read that somewhere.â
âVery nice,â sighed Emily, with a barely disguised eye-roll.
Mallory retreated to the dressing room to divest herself of the boned dress. As it came away, she felt herself peeled free. She could never wear a dress like that. When she emerged, she was almost weeping.
âI canât do it, can I?â
âNo. You have to tell him.â
âNot tonight. Not on Valentineâs Day.â
âWhat rot,â scoffed Emily. âItâs just a commercialized load of nonsense.â
âStill, I donât want him to associate our breakup with this date forever.â
âSoâcancel tonight. Tell him