“& presently I’ll dictate & thereby save some scraps of time.” 45 Jean’s new skill may have prompted Clemensto think again of dictating, rather than writing, the autobiography. There were other temptations as well. The president of Harper and Brothers, George Harvey, was clearly interested in the prestige that would flow from having the rights to publish the autobiography, even though it would not actually appear until long after both men had died. On 17 October 1900 Harvey proposed to Rogers (who was acting as Clemens’s agent) to “publish the memoirs in the year 2000” and suggested that Clemens “insert a clause in his will to the effect that the memoirs shall be sealed without reading by his executors, and deposited with a trust company.”
The agreement would, of course, provide for publication in whatever modes should then be prevalent, that is, by printing as at present, or by use of phonographic cylinders, or by electrical method, or by any other mode which may then be in use, any number of which would doubtless occur to his vivid imagination, and would form an interesting clause in the agreement. 46
Harvey was in fact eager to make Harper and Brothers into Clemens’s exclusive American publisher, and on 14 November, after much discussion, he proposed a rate of twenty cents a word for the exclusive serial rights to anything he might write in the next year, as well as the exclusive right to publish all of his books in the same period. One week later Clemens wrote to Harvey, “Let us add the 100-year book to the arrangements again, & make it definite; for I am going to dictate that book to my daughter, with the certainty that as I go along I shall grind out chapters which will be good for magazine & book to-day, & not need to wait a century.” Nothing dictated to Jean at this time has been found, but Clemens soon agreed to Harvey’s “proposal regarding the publication of my memoirs 100 years hence,” although no formal contract for the autobiography was signed at this time. 47
In August 1902, Olivia’s health grew alarmingly worse. Despite temporary improvements, it continued to decline, and in 1903, on the recommendation of her doctors, Clemens decided to take the family to Italy. In early November they settled into the Villa di Quarto near Florence. In addition to Clemens himself, the travelers included Olivia, Clara, and Jean. Three employees were also with them: longtime family servant Katy Leary, a nurse for Olivia, and Isabel V. Lyon, who had been hired in 1902 as Olivia’s secretary but had since assumed more general duties.
The Florentine Dictations (1904)
During his eight-month stay in Florence Clemens made unusual progress on the autobiography, in large part because of a renewed enthusiasm for dictation as a method of composition. He had experimented with mechanical methods of transferring words to paper ever since thedictations to Redpath in 1885. In 1888 he tried (and failed) to get access to one of Thomas Edison’s recording phonographs. 48 Then in 1891 he suffered an attack of rheumatism in his right arm and, compelled by the necessity of working on his current book
(The American Claimant)
, he did briefly experiment with the phonograph. “I feel sure I can dictate the book into a phonograph if I don’t have to yell. I write 2,000 words a day; I think I can dictate twice as many,” he wrote to Howells on 28 February. But by 4 April he had concluded that the machine “is good enough for mere letter-writing” but
you can’t write literature with it, because it hasn’t any ideas & it hasn’t any gift for elaboration, or smartness of talk, or vigor of action, or felicity of expression, but is just matter-of-fact, compressive, unornamental, & as grave & unsmiling as the devil. I filled four dozen cylinders in two sittings, then found I could have said about as much with the pen & said it a deal better. Then I resigned. I believe it could teach one to dictate literature to a