annoyance. When her slender hands reluctantly leave the keyboard they create a red flash of long and immaculate fingernail. When he opens his mouth, a rasp dislodges from the back of his throat.
'Do you speak?' she asks.
'Yes,' he whispers before clearing his throat. 'I –'
'Will you come in? I can't hear you.'
Dante shuffles through the door and crowds his body into the corner, as far away from the woman's stare as possible. 'I'm here for an appointment with Mr Coldwell.'
The woman studies him. 'Dante Shaw,' she says to herself. 'What an appropriate name.'
'Sorry?'
'Nothing,' she replies, and leaps from behind her desk with an alacrity he doesn't expect from a secretary who works in a School of Divinity. High heels cage her feet and an elegant tight-fitting dress – sleeveless and cut above the knee – turns her slender shape into neat lines and hard curves. With an expert's ease on pencil-thin stilettos, the glamour-puss and guardian walks across to him, her pale legs flashing like a strobe, luring his eyes down. 'My name is Janice Summers. I am the senior administrator. Do you mind me inquiring about the nature of your appointment?'
'I'm here to assist Mr Coldwell with his research,' he announces in a voice controlled enough to submerge his Brummy accent.
She places her hands on her hips and a mocking smile spreads across her mouth. 'Research, you say. An investigation of Scotch whisky, no doubt?'
Dante flushes with annoyance. 'Research for his second book, actually.' His face reddens further, as he suddenly feels foolish about his use of the word 'actually'.
But, for a moment, whatever he said introduces a fleeting spectre of vulnerability to the woman's hard face. 'Book?' Her voice is little more than a whisper.
Dante nods his head, rejoicing inside from something that feels like an unexpected victory. She takes a deep breath and smiles, weakly. 'I had no idea Eliot was considering another book. I mean who would . . .' She stops herself, and reaches for the door handle behind him. Shuffling to one side, he lets her open the door. In a voice softer than her opening salvo, she asks him to follow.
Beside the administration office is a door marked STAIRWELL. As she moves down the stairs, he catches sight of her profile and notices the inquisitive, bird-like face has become preoccupied again. Eager to break the uncomfortable silence, he says, 'I've never met Mr Coldwell. We've not even spoken on the phone. I hope he isn't too busy.'
She frowns at him as if he has said something imbecilic. Dante averts his eyes and decides it will be better to stay silent around Janice Summers, who continues, with a puzzled expression on her face, to teeter down the stairs to a door marked BASEMENT .
Taking what he feels are reluctant steps, she then walks along the narrow basement corridor between walls covered with a patchwork of flyers, lists, scholarship details and emergency evacuation procedures. The corridor is lit by two overhead strip-lights, and a glimmer of natural light seeps through a dirty window in the top of the fire escape, situated at the far end of the passage.
Pausing before an unmarked door on the right, just before the fire exit, she then hesitates, and appears to be summoning the courage required to knock. Her face set with a grim concentration, she finally raps on the door.
In preparation for meeting his mentor, Dante brushes at his shirt, tightens his ponytail, and clears his throat.
A muffled sound rises from the unseen depths behind the door. As if repelled, Janice immediately steps back. 'Go on in,' she says, quietly, and it becomes apparent to Dante that she is not prepared to open the door and introduce him to Eliot. Instead, she hurries past him, back along the corridor toward the stairs. Dante places his hand on the door handle. A final glance down the corridor reveals Janice hovering in the mouth of the stairwell, still watching him, as if he is a menace. Eager to evade her eyes, he turns the door handle and