would have.
“Got rid of it. Said he sold it to his cousin in Brooklyn.”
“We
got
to get the gun back,” says Clarence. “But first you got to turn yourself in to the police. The longer you stay out, the worse this looks. You
have
to do this, Dante.”
“Clarence is right,” I say, and leave it at that. I know from Clarence that Dante has always looked up to me some. Dante doesn’t say anything for a couple of minutes,
long
minutes. I understand completely—he’s just been fed, and he’s free.
“Let’s do it tonight then,” Dante finally says. “But Tom’s coming with us, okay? I don’t want nothing outlandish happening when I show up at that police station.”
Chapter 27
Tom
ON THE RIDE back to Bridgehampton, I make one call, and it’s not to the cops to tell them we’re on our way. It’s to Len Levitt, an AP sports photographer I’ve known for years, and almost trust.
“Yeah, I know what time it is, Len. Now you want to find out why I woke you up or not?” When he hears me out, Levitt is thanking instead of cursing me.
As soon as we’re out of the city and through the Midtown Tunnel, Clarence shows us his big Buick can still move. We get to Marie’s place just before 3:00 a.m.
When we pull up, Marie is outside waiting. Her back is as straight as a board, and her game face is on. If people thought she’d been shattered by the events of the past week, they’re wrong.
She’s wearing her Sunday clothes and beside her is a big plastic bag filled with food she’s been cooking all night and stuffing into Tupperware containers just in case Dante has to spend the night in jail. Who knows how long she’s been standing there already, but it doesn’t matter because you know she’d stay there all night if she had to.
Then again, one look at her face and you know she’d march into hell for her grandson. Grandmothers are something.
But right now, more than anything else in this world, Marie is relieved to finally be able to lay her eyes and hands on Dante, and when she wraps her arms around his waist, the love in her eyes is as naked as it is ferocious. And then another surprise—Dante starts to cry in her arms.
“Don’t worry, Grandma, I’m going to be okay,” he says through his tears.
“You most certainly will be, Dante. You’re
innocent.
”
Chapter 28
Tom
IT’S 4:15 A.M. In the moonlight, East Hampton’s deserted Main Street looks almost wholesome. The only car in sight is a banged-up white Subaru parked in front of the quaint fifties-era movie theater marquee.
As Clarence plows slowly through town, the Subaru’s lights go on and it tears off down the road. We follow it to the tiny police station, and when we arrive, the Subaru is already parked out front.
Short, solid, and determined, Lenny Levitt stands beside it, one Nikon hanging around his neck, another being screwed into a tripod.
I hop out of Clarence’s car and read Levitt the brief statement I composed during the drive from New York City. “Dante Halleyville and Michael Walker,” I say slowly enough for him to take it down in his notebook, “had absolutely nothing to do with the murders of Eric Feifer, Patrick Roche, and Robert Walco. Dante Halleyville is an exceptional young man with no criminal record or reason to commit these crimes.”
“So where’s Walker?” asks Levitt.
“Walker will turn himself in tomorrow. There will be no further comment at this point.”
“Why did they run?”
“What did I just say, Len? Now start taking pictures. This is your chance to get out of the Sports section.”
I called Lenny for PR reasons. The tabloids and cops love that shot of the black suspect in shackles paraded through a gauntlet of blue and shoved into a squad car. But that’s not what they’re getting this morning.
The image Lenny captures is much more peaceful, almost poetic: a frightened teenager and his diminutive grandmother walking arm in arm toward the door of a small-town police station. The