a central square floor. Here a man with a red wig and mascaraed eyes was talking into a microphone, mincingly. Then he sang, in the voice of a choirboy castrated too late. A waiter materialized. Bech ordered Scotch, the other writer ordered vodka. The wife asked for cognac and Petrescu for mineral water. Three girls dressed as rather naked bicyclists appeared with a dwarf on a unicycle and didsome unsmiling gyrations to music while he pedalled among them, tugging bows and displacing straps. “Typical Polish beauties,” Petrescu explained in Bech’s ear. He and the writer’s wife were seated on the tier behind Bech. Two women, one a girl in her teens and the other a heavy old blonde, perhaps her mother, both dressed identically in sequined silver, did a hypnotic, languorous act with tinted pigeons, throwing them up in the air, watching them wheel through the shadows of the night club, and holding out their wrists for their return. They juggled with the pigeons, passed them between their legs, and for a climax the elderly blonde fed an aquamarine pigeon with seeds held in her mouth and fetched, one by one, onto her lips. “Czechs,” Petrescu explained. The master of ceremonies reappeared in a blue wig and a toreador’s jacket, and did a comic act with the dwarf, who had been fitted with papier-mâché horns. An East German girl, flaxen-haired and apple-cheeked, with the smooth columnar legs of the very young, came to the microphone dressed in a minimal parody of a cowgirl outfit and sang, in English, “Dip in the Hot of Texas” and “Allo Cindy Lou, Gootbye Hot.” She pulled guns from her hips and received much pro-American applause, but Bech was on his third Scotch and needed his hands to hold cigarettes. The Rumanian writer sat at the table beside him, a carafe of vodka at his elbow, staring stolidly at the floor show. He looked like the young Theodore Roosevelt, or perhaps McGeorge Bundy. His wife leaned forward and said in Bech’s ear, “Is just like home, hey? Texas is ringing bells?” He decided she was being sarcastic. A fat man in a baggy maroon tuxedo set up a long table and kept eight tin plates twirling on the ends of flexible sticks. Bech thought it was miraculous, but the man was booed. A touching black-haired girl from Bulgaria hesitantly sang three atonal folk songs into a chastenedsilence. Three women behind Bech began to chatter hissingly. Bech turned to rebuke them and was stunned by the size of their wristwatches, which were man-sized, as in Russia. Also, in turning he had surprised Petrescu and the writer’s wife holding hands. Though it was after midnight, the customers were still coming in, and the floor show refused to stop. The Polish girls returned dressed as ponies and jumped through hoops the dwarf held for them. The master of ceremonies reappeared in a striped bathing suit and black wig and did an act with the dwarf involving a stepladder and a bucket of water. A black dancer from Ghana twirled firebrands in the dark while slapping the floor with her bare feet. Four Latvian tumblers performed on a trampoline and a seesaw. The Czech mother and daughter came back in different costumes, spangled gold, but performed the identical act, the pigeons whirring, circling, returning, eating from the mother’s lips. Then five Chinese girls from Outer Mongolia—
“My God,” Bech said, “isn’t this ever going to be over? Don’t you Communists ever get tired of having fun?”
The writer’s wife told him, “For your money, you really gets.”
Petrescu and she conferred and decided it was time to go. One of the big wristwatches behind Bech said two o’clock. In leaving, they had to pass around the Chinese girls, who, each clad in a snug beige bikini, were concealing and revealing their bodies amid a weave of rippling colored flags. One of the girls glanced sideways at Bech, and he blew her a pert kiss, as if from a train window. Their golden bodies looked fragile to him; he felt that their