postcard. Lanzarote had ‘not much fresh water, but enough to temper a glass of whisky, and the Torres wines need no adulteration’. The landscape was almost lunar, ‘black volcanic ash, so an excuse not to garden!’, and that was about it. He hadn’t heard anything since, and Geddes hadn’t furnished his address on the island. That was OK, friendships came and went. Geddeshad been a useful man to know at the time, he’d taught Rebus a lot.
Dylan: Don’t Look Back .
The here and now: light-show stinging Rebus’s eyes. He blinked back tears, stepped away from the stage, retreated to hospitality. Pop stars and entourage, loving the media interest. Flash-bulbs and questions. A spume of champagne. Rebus brushed flecks from his shoulder, decided it was time to find his car.
The Spaven case should have remained closed, no matter how loudly the prisoner himself protested. But in jail, Spaven had started writing, his writings smuggled out by friends or bribed jailers. Pieces had started to see publication – fiction at first, an early story picking up first prize in some newspaper competition. When the winner’s true identity and where-abouts were revealed, the newspaper got itself a bigger news story. More writing, more publication. Then a TV drama, penned by Spaven. It won an award somewhere in Germany, another in France, it was shown in the USA, an estimated audience of twenty million worldwide. There was a follow-up. Then a novel, and then the non-fiction pieces started appearing – Spaven’s early life at first, but Rebus knew where the story would lead.
By this time there was loud support in the media for an early release, nullified when Spaven assaulted another prisoner severely enough to cause brain damage. Spaven’s pieces from jail became more eloquent than ever – the man had been jealous of all the attention, had attempted to murder Spaven in the corridor outside his cell. Self-defence. And the crunch: Spaven would not have been placed in this invidious position were it not for a gross miscarriage of justice. The second instalment of Spaven’s autobiography ended with the Elsie Rhind case, and with mention of the two police officers who’d framed him – Lawson Geddes and John Rebus. Spaven reserved his real loathing for Geddes, Rebus just a bit-player,Geddes’ lackey. More media interest. Rebus saw it as a revenge fantasy, planned over long incarcerated years, Spaven unhinged. But whenever he read Spaven’s work, he saw powerful manipulation of the reader, and he thought back to Lawson Geddes on his doorstep that night, to the lies they told afterwards …
And then Lenny Spaven died, committed suicide. Took a scalpel to his throat and opened it up, a gash you could fit your hand inside. More rumour: he’d been murdered by jailers before he could complete volume three of his autobiography, detailing his years and depredations in several Scottish prisons. Or jealous prisoners had been allowed access to his cell.
Or it was suicide. He left a note, three drafts crumpled on the floor, maintaining to the end his innocence in the Elsie Rhind killing. The media started sniffing their story, Spaven’s life and death big news. And now … three things.
One: the incomplete third volume of autobiography had been published – ‘heart-breaking’ according to one critic, ‘a massive achievement’ for another. It was still on the bestseller list, Spaven’s face staring out from bookshop windows all along Princes Street. Rebus tried to avoid the route.
Two: a prisoner was released, and told reporters he was the last person to see or speak to Spaven alive. According to him, Spaven’s last words were: ‘God knows I’m innocent, but I’m so tired of saying it over and over.’ The story earned the ex-offender £750 from a newspaper; easy to see it as flannel waved at a gullible press.
Three: a new TV series was launched, The Justice Programme , a hard-hitting look at crime, the system, and miscarriages