a social symptom, you see? But, do you know, Mr. Lynch, Iâm afraid it doesnât fascinate me. To me itâs unhappy. Itâs just unfortunate. I rather feel,â she cocked her head, âthat if the underworld lets me alone, why, I let it alone, you know?â She laughed quite merrily.
Sam put his hands down and curled them on the edge of his chair.
âThere, now you think Iâm a giddy female.â She sighed. âPerhaps I am. Perhaps Iâm just not hopeful. Crime we have always with us, like the poor. At least in my lifetime. Itâs only that I know my place, Mr. Lynch. You men may be in a position to do something about it. Men like you and Alan.â
âYouâve got me wrong, maâam,â said Sam savagely. He would not be yoked with Alan Dulain. âIâm a reporter. Donât twist it. A reporter is someone who sees what goes on and simply reports it.â
âYes?â
âThatâs all.â He was pretty twisted himself, he thought. He gave it up.
âI see,â she frowned. âThatâs your definition of a newspaperman?â She considered it. What she considered was an arrangement of words. He felt she could memorize and repeat them. But she was afloat. She would veer and shift with a turn in the phrase. Petal on the surface.
âI guess so,â he said feebly. He gave her up.
âOf course,â said Mrs. Salisbury with tender amusement, âmy little Katherine is very much interested in crime, too.â
Sam had given up. He now could drawl, âOh, is she? In what way, maâam?â
âOh, romantically, of course. You see, a woman in love is a chameleon, really. Twenty years ago, Mr. Lynch, I thought the sun rose and set with Salisburyâs Biscuits.â
He didnât smile.
âMr. Salisbury is, or was ⦠Salisburyâs Biscuits,â she said gently. âAs perhaps you knew?â
âI know. Kind of cookies, arenât they?â Sam was solemn. âHe made a lot of money with them, didnât he? Iâve seen his warehouse, his great big warehouse full of biscuits, and somebody watching over them, night and day.â
She opened her eyes very wide. âBut, of course, Charles is retired,â she trilled. âHe has almost nothing to do with such things as warehouses, any more.â
âOr so he thinks,â muttered Sam.
âI beg your pardon?â
He didnât repeat.
âThe warehouse impressed you, Mr. Lynch?â
âIt made a link,â Sam said gravely, âin a story.â
âWhy, isnât that interesting!â cried she. âAnd you write stories, too?â
Then her daughter, Katherine, came dancing down the stairs.
Chapter 5
IT was like dancing. She was so young and her feet were so quick and sure and the short mane of her shining hair bounced in the rhythm of her flying descent. She wore a chocolate brown skirt and a sweater the color of pale toast, and the quick, slim, sure, young feet were in flat brown pumps with round toes. She came dancing over the carpet.
âHello. Iâm sorry. I was writing a letter, and all over ink. I canât get it off. How nice of you to come to see me.
He winced at the impact of her welcome. She put her hand in his and he looked down at the scrubbed fingers, the ink stain that wasnât quite gone, and something ached in his breast. All of a sudden he was terrified again, and tense, and in a hurry.
âMother, have you met Mr. Sam Lynch?â
âOf, course, dear. He presented himself, and very nicely. Weâve been chatting away like old cronies, really.â Mrs. Salisburyâs pretty little hands were stuffing the yarn into the bag.
âWhat I wanted â¦â Sam began harshly. âI came â¦â
âTo see Katherine. Of course,â said her mother serenely. She rose, balancing her trim little body tiptoe, because of her ridiculous heels. âAnd since I