was going up in the elevator and just between the first and second floors I felt that I was going to vomit up a little rabbit. I have never described this to you before, not so much, I don’t think, from lack of truthfulness as that, just naturally, one is not going to explain to people at large that from time to time one vomits up a small rabbit. Always I have managed to be alone when it happens, guarding the fact much as we guard so many of our privy acts, evidences of our physical selves which happen to us in total privacy. Don’t reproach me for it, Andrea, don’t blame me. Once in a while it happens that I vomit up a bunny. It’s no reason not to live in whatever house, it’s no reason for one to blush and isolate oneself and to walk around keeping one’s mouth shut.
When I feel that I’m going to bring up a rabbit, I put two fingers in my mouth like an open pincer, and I wait to feel the lukewarm fluff rise in my throat like the effervescence in a sal hepatica. It’s all swift and clean, passes in the briefest instant. I remove the fingers from my mouth and in them, held fast by the ears, a small white rabbit. The bunny appears to be content, a perfectly normal bunny only very tiny, small as a chocolate rabbit, only it’s white and very thoroughly a rabbit. I set it in the palm of my hand, I smooth the fluff, caressing it with two fingers; the bunny seems satisfied with having been born and waggles and pushes its muzzle against my skin, moving itwith that quiet and tickling nibble of a rabbit’s mouth against the skin of the hand. He’s looking for something to eat, and then (I’m talking about when this happened at my house on the outskirts) I take him with me out to the balcony and set him down in the big flowerpot among the clover that I’ve grown there with this in mind. The bunny raises his ears as high as they can go, surrounds a tender clover leaf with a quick little wheeling motion of his snout, and I know that I can leave him there now and go on my way for a time, lead a life not very different from people who buy their rabbits at farmhouses.
Between the first and the second floors, then, Andrea, like an omen of what my life in your house was going to be, I realized that I was going to vomit a rabbit. At that point I was afraid (or was it surprise? No, perhaps fear of the same surprise) because, before leaving my house, only two days before, I’d vomited a bunny and so was safe for a month, five weeks, maybe six with a little luck. Now, look, I’d resolved the problem perfectly. I grew clover on the balcony of my other house, vomited a bunny, put it in with the clover and at the end of a month, when I suspected that any moment … then I made a present of the rabbit, already grown enough, to señora de Molina, who believed I had a hobby and was quiet about it. In another flowerpot tender and propitious clover was already growing, I awaited without concern the morning when the tickling sensation of fluff rising obstructed my throat, and the new little rabbit reiterated from that hour the life and habits of its predecessor. Habits, Andrea, are concrete forms of rhythm, are that portion of rhythm which helps to keep us alive. Vomiting bunnies wasn’t so terrible once one had gotten into the unvarying cycle, into the method. You will want to know why all this work, why all that clover and señora de Molina. It would have been easier to kill the little thing right away and … Ah, you shouldvomit one up all by yourself, take it in two fingers and set it in your opened hand, still attached to yourself by the act itself, by the indefinable aura of its proximity, barely now broken away. A month puts a lot of things at a distance; a month is size, long fur, long leaps, ferocious eyes, an absolute difference. Andrea, a month is a rabbit, it really makes a real rabbit; but in the maiden moment, the warm bustling fleece covering an inalienable presence … like a poem in its first minutes, “fruit
Learning to Kill: Stories