image in muddy, rippling water. The features were dim, but all that could be seen were his own. It was a similarity that overrode all chance, or possibility, of doubtâit was not likeness, or kinshipâit was the actual reproduction of the same man, the same flesh, the same spirit. As he stared, vague and vast thoughts arose in the mind of Carrick Dunmore and flooded dimly forward upon his consciousness. He had heard of such things as reincarnation.
But his mind was set against the acceptance of anysuch nonsense. Of all men, none was more earthly minded, more concerned with the affairs of the moment only, than Carrick Dunmore. For that reason, he was shocked and upset to the core of his being. Indeed, he had to grip the back of a chair and look at the portrait again and again.
He turned toward Elizabeth Furneaux, at last, and saw that she was looking first at the picture, and then at him, in fully as much amazement as he suffered.
âItâs the same. Itâs the very same,â she said. She rubbed her knuckles across her eyes. âGood heavens, Carrick,â she exclaimed, âI must be losing my wits! Such things canât be!â She went hastily to the window and threw it open, and he followed her, very glad of that air.
âWeâll have a look at it in the sun,â he said firmly. He brought the picture, therefore, straight to the window and held it where the sun flooded across it.
There was, at first, an effect of making the whole thing vanish in confusion, which was perhaps caused by the gleam of the broken surface of the paint, and of the varnish that someone had applied some century or so before the original, apparently. But, when Carrick Dunmoreâs eyes grew accustomed to the thing, he could see all that he had seen before, and even more. There was the effect of standing before a mirror with a very poor backing or rust instead of quicksilver, but as much as could be seen was perfect in his eyes.
Elizabeth Furneaux, her eyes staring rather wildly, held the picture beside him and looked at him, and then at it, studying with a frown that grew more dark and lips that were more and more compressed. Atlength she went silently to the wall and hung the picture in its place. When she turned to Carrick Dunmore, she looked plainly frightened.
âCarrick,â she said. âI donât know. . . . What are you? A ghost?â
âGhosts donât eat four pounds of beefsteak,â he said.
She smiled faintly. âThis is something like algebra and advanced chemistry,â she said. âI canât get my hand upon it. I canât begin to understand it. But the thingâs there. You are Carrick Dunmore.â
At this, Carrick answered grimly: âHe slapped the face of the King of Scotland, took an earlâs castle, and put a whole herd of cattle in each vest pocket when he went out for a walk. Will you say that Iâm Carrick Dunmore?â
Her glance steadied him. âYou speak perfectly well, Carrick,â she said, âwhen you forget yourself. Youâre only ungrammatical because youâre careless. Well, about the similarity between you and the picture . . . it isnât just the features that matter to me. Itâs the expression. Thatâs the amazing thing. The expression is the same.â
âIt is,â he admitted finally, and he drew in a quick breath; he still had need of air.
She concluded briefly: âPeople donât have the same expression without having the same sort of mind and nature . . . I . . . but I donât want to talk about it. Itâs too spooky.â
He agreed with her. It fairly made his flesh crawl, and he was glad to go outdoors with her a moment later. She pulled on a pair of old gloves, and tied a leather apron around her.
âWhat are you going to do, Elizabeth?â he asked.
âIâm going out to the blacksmith shop. Thereâs a broken brake rod that I have to weld.â
He