direction.
âThis is
so
pretty,â said Eden, gesturing to a cameo brooch pinned to a piece of black velvet. âLook at her faceâitâs, like, perfect. How did they do that?â Mia leaned over to see. The girlâs tiny features were expertly carved, and a tendril of hair escaped from her chignon, grazing her smoothly rendered cheek. The thing was no bigger than a domino.
âThatâs one of the best pieces in the shop,â said the man behind the counter. His voice was reedy, as if he didnât use it often. âYou have a good eye.â
âI know,â Eden said serenely. âPeople have said that to me before.â
âAre you looking for cameos? Because Iâve got others.â He began to look around, his head stretching on his neck like a large turtle. Mia didnât know how he could locate anything in all the mess. The displaysâif you could grace them with such a wordâwere no better than those in the window, everything crammed and jumbled. But Eden seemed entrancedâtouching this, exclaiming over that.
âAll this stuff is really old, right?â she asked.
âAbsolutely,â said the man. âAnd every piece has a story.â
âReally? Tell me about this one.â Eden pointed to another pin. Eight little gold birds sitting on a golden branch. Several sparkling chipsâ red, blue, greenâwere set into their tails.
âOh, now that. Well, that piece was made in Canada, yes, it was. And an older gentleman bought it for his granddaughter, who musthave been, let me see . . .â He looked at Eden, clearly trying to assess her age. âEleven. Yes, that was it. Eleven.â
âIâm almost eleven,â Eden said proudly.
âWell, this little girlâs name was Alice, and she . . .â
Mia stopped listening. She was trying to figure out a way to extricate herself without actually having to buy something. Edenâs impulse was undeniably sweet and even laudable, but the last thing Mia needed now was a piece of jewelry when she was worried about her rent, electric bills, and Edenâs impending orthodontia. Then she saw it. A flat gold locket, maybe two inches across, suspended from a braided gold chain. It was perfectly round and sported no embellishment of any kind. Simple, but elegant. Rich, but restrained. The kind of thing that looked like it would be passed down, woman to girl, for generations. She had to touch it, to try it on.
âNow those earringsâthe stones are topaz, by the wayâwere worn by a famous actress on the Broadway stage . . .â the man was saying to an increasingly enchanted Eden.
The locket seemed to settle into the perfect spot on Miaâs neck. It was heavy enough to feel substantial but light enough to be worn every day. Peering down, she clicked open the cunningly hidden clasp at the bottom. A pair of time-bleached photographs, a tow-headed boy and girl, squinted back at her. Someoneâs darlings. She closed it again. Under her fingers, the gold tablet felt smooth and almost edible; she had an urge to take it in her mouth. What would gold taste like anyway?
âAh, you found it!â He turned his gaze to Mia. âKeatsâs locket.â
âKeats? Whoâs he?â asked Eden.
âAn English poet who lived a long time ago.â
âDid he own that necklace?â
The man smiled. âNot likely. I just call it that because it seems like something he would have liked. Something he might have given to Fanny.â He directed this comment to Mia.
âFanny?â Eden asked.
âHis beloved,â the man answered. âBut he died young and didnât get to marry her.â When he saw the look on Edenâs face, he continued. âFanny would have cherished that locket; she would have worn it every day of her life, to remember him when he was gone.â
âThatâs so sad,â said Eden, seeming to forget that