and silence, the room taunted her. It wasnât empty. Seeing the normal, everyday mess her sister was prone to createâsilk slippers tossed to the side, smudged tissues on the vanity table, the pale ivory stockings from her costume rinsed out and long since dry on the bathroom rackâtightened Katâs lungs until each stale breath hurt. The air tasted bitter on her tongue.
If Victoria had been free to sing and build a reputation under her own name, she would have been a much bigger star than a regional theater would hope to hire, but Vic loved to perform. It didnât matter how or where. She could almost feel her sisterâs anticipation for performance in the air.
Gone.
Sheâd known it. But seeing it was too final, too real. She sniffed the faint, weeks-old hint of Victoriaâs perfume, and tears prickled.
She stopped in the center of the room and willed them away, widening her eyes. She was not going to hide behind tears. She was here for a reason, and grief wouldnât help her sister now. Katherine waited until her eyes were so dry they hurt. Then she forced an inventory of every detail.
What had happened?
There was no evidence of violence. All was painfully normal and undisturbed. Victoria could walk in at any second complaining about the lack of honey for her tea. But as the seconds ticked by, Katherine knew waiting for her sisterâs familiar tread was in vain.
Gone.
On the bed, nestled on Victoriaâs pillow, was a pair of opera glasses. They were the only item in the room that seemed out of place. Kat walked to her sisterâs bed and picked up the binoculars. The opera glasses were white porcelain with gilded edges. The handle she used to flip them over and hold them up to her eyes had a grip on the end of a brass extension that matched the porcelain around the lenses.
The lenses were meant to bring the action onstage closer to the viewerâs perceptions. They distorted her view of the room.
She lowered the opera glasses and opened her hand on the grip, where she could feel a brass plate. It was engraved with a letter and a number corresponding to the box and seat from which it came. Each seat in every private box at lâOpéra Severne had a slot in the right armrest where the opera glasses rested when not in use.
It wasnât normal for one of the company to have taken a pair back to her room.
Suddenly, fatigue was a more solid barrier to press through than emotion. Sheâd been driving for hours. With her travel-fogged brain, she would surely miss important clues if she tried to ransack the room tonight.
Other than removing the opera glasses that were an intrusion of the roomâs hushed normalcy, she couldnât go through Victoriaâs things yet. She couldnât snoop in the closet or the drawers. The room waited for her sisterâs return. She would let it wait one more night. It wasnât rational, but she had a sudden fear that if she disturbed the roomâs silent vigil, her sister would never come home.
* * *
Her room was as perfect as Vicâs was messy. And much more ornate. Decorated in French rococo style, the whole space was full of white and gilded furnishings and etched glass. Butterflies, thorny vines and rose petals decorated the mirrors in white, only to spring to vibrant, noisy shades of color on the walls in one large continuous design. Plush creams and pale pink with splashes of scarlet and lush green were echoed in the heavy damask bed coverings and carpets on the floor.
She told herself sheâd return the opera glasses to their rightful place in the private box high above the auditorium when she had the time. For now, she placed them in the drawer of her bedside table.
She was startled again and again as her movements were reflected in the glass wall panels in jagged interrupted pieces because of the etchings. She showed up as a disjointed leg or arm, a flushed cheek, or a quick glimpse of shadowed eyes. Her