Budayeen Nights by George Alec Effinger Read Free Book Online

meet some of the Effinger Revolving Cast. George liked to recycle characters from story to story, sometimes disregarding entirely the fact that they might have been killed in a previous tale. In “Marîd Changes His Mind,” we encounter the tavern keeper M. Gargotier and his daughter Maddie, who are prototypical inhabitants of the Budayeen, having first made their appearance in “The City on the Sand” and who also figured in George’s caper-novel Felicia—which of course wasn’t set in the Budayeen and hadn’t the slightest thing to do with it .
    We also encounter one of the many incarnations of Sandor Courane, the hapless science fiction writer who gets killed in so many of George’s stories. This is one of Courane’s few appearances where he doesn’t die, and in fact gets to live presumably happily ever after. Courane (whom we also meet in “The City on the Sand”) is, like Marîd, a version of George himself, so of course Marîd describes him as looking a little like himself but older, plumper, and wiser. A poet, allegedly, hut not a very good one.
    — Barbara Hambly

Marîd Changes His Mind
    1

    WED RIDDEN FOR MANY DAYS OUT THE COAST highway toward Mauretania, the part of Algeria where I’d been born. In that time, even at its lethargic pace, the broken-down old bus had carried us from the city to some town forsaken by Allah before it even learned what its name was. Centuries come, centuries go: In the Arab world they arrive and depart loaded on the roofs of shuddering, rattling buses that are more trouble to keep in service than the long parades of camels used to be. I remembered what those bus rides were like from when I was a kid, sitting or standing in the aisle with fifty other boys and men and maybe another two dozen clinging up on the roof. The buses passed by my home then. I saw turbaned heads, heads wearing fezzes or knit caps, heads in white or checked keffiyas. All men. That was something I planned to ask my father about, if I ever met him. “O my father,” I would say, “tell me why everyone on the bus is a man. Where are their women?”
    And I always imagined that my father—I pictured him tall and lean with a fierce dark beard, a hawk or an eagle of a man; he was, in my vision, Arab, although I had my mother’s word that he had been a Frenchman—and I saw my father gazing thoughtfully into the bright sunlight, framing a careful reply to his young son. “O Marîd, my sweet one,” he would say—and his voice would be deep and husky, issuing from the back of his throat as if he never used his lips to speak, although my mother said he wasn’t like that at all—“Marîd, the women will come later. The men will send for them later.”
    “Ah,” I would say. My father could pierce all riddles. I could not pose a question that he did not have a proper answer for. He was wiser than our village shaykh, more knowledgeable than the man whose face filled the posters pasted on the wall we were pissing on. “Father,” I would ask him, “why are we pissing on this man’s face?”
    “Because it is idolatrous to put his face on such a poster, and it is fit only for a filthy alley like this, and therefore the Prophet, may the blessing of Allah be on him and peace, tells us that what we are doing to these images is just and right.”
    “And father?” I would always have one more question, and he’d always be blissfully patient. He would smile down at me, put one hand fondly behind my head. “Father? I have always wanted to ask you, what do you do when you are pissing and your bladder is so full it feels like it will explode before you can relieve it and while you are pissing, just then , the muezzin—“
    Saied hit me hard in the left temple with the palm of his hand. “You sleeping out here?”
    I looked up at him. There was glare everywhere. I couldn’t remember where the hell we were. “Where the hell are we?” I asked him.
    He snorted. “ You’re the one from the Maghreb, the