too big for him.â
âSo are you. Heâs wasting his time with you. You ought to be put to sleep.â
âThanks.â
She sighed, and it was as though all the misery of all the times, everywhere, stood there in the doorway wearing a blue bathrobe. âOh, Peter. You know I donât mean that. Youâre just so much trouble, thatâs all. And I worry about you.â
âYou lied to him.â
âOh?â
âYou told him I tried to kill you.â
âWhat?â
âWith a jar of mustard.â
She laughed.
I locked my bedroom door, and sat on my bed. I wished Lani was there to talk to, but all I had was half a bottle of Cream Sherry, really terrible, sweet-sick brake fluid.
I could, I knew, kill myself. This was a very real thought. It seemed like a logical alternate route. But as long as Meadâs parents thought Mead was alive, it was almost like having Mead alive and well, happy somewhere.
I practiced his voice. âHello, Mother â¦â
And I shivered. I felt like Mead. I felt clever, and quick.
I wept, calling Meadâs name.
7
Walking in the darkness, the body feels alive, but as it approaches the well-lit place, it begins to change; it slows and thickens and stops. The body stands for a long time, as if it never has to go anywhere ever again, and it doesnât, really, because now it is not a living body, but something else. No one can see. No one sees the important, obvious thing standing in the dark beside a hedge.
Then the transformation. The arm lifts, falls. The rot-wet lungs inhale. The dead guts grumble and the foot goes forward to the place on the sidewalk where the light just begins. Blood rises into the tissues that have not tasted blood since the terrible change and they warm and swell, and feeling wends along the nerves invisibly, like massive amps along a frayed cable.
And by the time the first number is touched, the change is complete, and the tongue is poised, the ears alive with the electric tones the finger makes on the face of the telephone.
The phone rings. It is like the first sound ever made in the world, a dry purr that lasts just long enough for a heartbeat, a soft noise, but metallic, too, the love coo of an old robot.
It rings once.
Only once. The phone is answered quickly, and the womanâs voice says, âHello?â
Her voice is different this time. More afraid, and more hopeful. âHello?â she repeats. âMead, is that you?â
âMother. Yes, itâs me.â
And it is Mead. It is Mead, standing at the telephone in the dark, listening to his motherâs sobs. âMead,â she says. âWhere are you?â
âDonât worry, Mother. Pleaseâdonât worry. Iâm all right.â
The streetlight barely ignites the darkness. Blue-white smears the dark at the end of the street where a gas station is still open, a twenty-four-hour station with a man in a glass booth, waiting.
A car door opens, too quietly. A head leans, and a voice asks, âWhat are you doing walking around in the middle of nowhere?â
Nothing makes any sense. I am not Mead, but I am not anyone else, either.
âAre you all right?â
The voice answers. âSure. Of course Iâm all right.â
âGet in. We can drive up into the hills and look at the view.â
âThatâs a good idea.â
âCome on, get in. Donât just stand there like a zombie.â
I donât move, my body not quite mine.
Angela drove up Lake Boulevard, across the Warren Freeway, into the hills. The spice of eucalyptus was everywhere. The tires crushed leaves and seedbells under its tires. The air had the taste of delicious medicine.
âWho were you calling?â she asked at last.
âCalling?â
âYou were on that pay phone.â
âReally?â
âOf course. That one beside the insurance company?â
âI was calling no one.â
âHow do you do