each other .
Where is Pan now, right this minute? Could he be thinking of me and know Iâm scared, the way he senses me when weâre hunting, the way he knows where I am even when he canât see me? Or is he crouched in Tessaâs dark bedroom, as he so often is, whispering to her, ready to vanish if her mother comes in?
Pan isnât scared of Debbie, but if she catches him thereâll be trouble for Tessa. Probably right now heâs whispering away and laughing to himself because Debbie doesnât have a clue that heâs anywhere near Molena Point. But no matter how Kit tried to distract herself, thinking of Pan, all she could really think about was that she was all alone and scared clear down to her poor, bloodied paws.
5
I N THE LITTLE wooded neighborhood below Emmylou Warrenâs house, the red tomcat was indeed crouched on Tessaâs windowsill looking into the dark bedroom where she and her big sister slept head to foot in the one twin bed. The other bed was unoccupied. A light shone under the closed bedroom door, from the kitchen. When, approaching Debbieâs ragged cottage, heâd looked in through the kitchen window, Debbie sat at the table sipping a cup of coffee, the dark-haired, sullen-faced young woman sorting through a stack of new purses and sweaters with the tags still dangling from them, items that he knew she hadnât paid for, beautiful clothes and gaudy ones laid out across the oilcloth as she clipped the tags from them.
At the bedroom window he reached a silent paw in, through a hole heâd made in the screen months before. Silently he flipped the latch and pulled the dusty screen open. Sliding in under it, he pushed the window casing up with infinite care and finesse so as not to make even the smallest sound and wake twelve-year-old Vinnie. Tattletale Vinnie, who would let her mother know at once that he had followed and found them.
Not even Tessa herself knew that he had arrived in Molena Point against all odds, like a cat in some newspaper story traveling across the country to follow his family. Pausing on the sill, at the head of the bed, he watched the two sleeping girls, listening for sounds from the kitchen. When he was sure that both children slept soundly, and that Debbie remained occupied sorting through her stolen bounty, he eased down onto Tessaâs pillow, the tip of his red striped tail barely twitching.
He sat quietly watching her, the flicker of her dark lashes against her smooth cheeks, her pale hair tousled across the pillow. And softly, as she dreamed, he pressed his nose close to her small ear and began to whisper, to send gentle but bold words into the childâs dreams, painting strong visions for her.
Tessa was only five, hardly more than a baby, and a silent one, at that, a timid little girl who seemed always fearful, never eager for life, a drawn-away, wary child. Perhaps only Pan knew how watchful she was beneath the shyness, how aware of what occurred around her. Few grown-ups ever saw Tessa smile or saw her reach out to embrace the bright details of life that so fill a normal childâs world, few ever saw her pluck a flower from the garden, snatch a cookie from the plate and run, laughing, or tumble eagerly across a playground screaming and shouting. Tessa Kraft clung to the shadows, bowing her head at her motherâs voice, backing away from the overbearing tirades of her sister. Her father wasnât there to stand by her, not that it had ever occurred to him, even when he was home, that Tessa might have feelings that he should nurture, fears that he might have soothed and healed. Tessaâs mother didnât bother to explain about her pa going to prison, or to help with her daughterâs loss. Eric Kraftâs final absence from their home, which had begun long before his arrest and sentence for murder, had left a deep hollowness within the child that, Pan thought, nothing in her future could ever erase. But he