aware of her own freckles and kinky, carrot-red mane. Anne was interested in a portrait of her two champion Dobermans. Anneâs looks might be intimidating, but her love of animals and her shy smile put Charlie immediately at ease. She spent some time telling Charlie how much she loved her work, particularly the quick action pieces.
âAnd the cats,â Anne said, her brown eyes widening. âSome of your cats look so perceptive they make me shiver. And your foxes and deer and raccoonsâso wild and free. Those arenât zoo animals.â
Charlie laughed. âI watch them from our porch and from the kitchen windows. We live up in the hills above the village, so thereâs open land around us. The fox comes almost every night, though we donât feed him.â
âWell, heâs very fine. I have to say, your work is the best Iâve seen, and Iâm quite familiar with the drawings of Pourtleviet, and of Alice Kitchen. Have you thought of producing a book? A coffee-table book?â
Charlie smiled. âI do have a small project in the works, not a coffee-table book, but with cat drawings.â
âIâm glad to hear that. I wish you well with it. When can we get together for some sketches of the dogs? Iâd like you to do them on the move, at least for the first work, some of those wonderful quick sketches.â
They were discussing a time convenient to them both and were going over Charlieâs fees when the waiter who had approached Kate so rudely, and who had eyed Charlieâs barrette, started toward the desk with a tray. He was young, maybe thirty, dressed in white jacket, black slacks, and black bow tie. His stark blond hair topped a perfect tan, as if he surfed or played tennis. Maybe a sports bum working as a waiter to support his habit? His handsome, tanned face was closed of any expression, withdrawn and bland. But as he held out his tray of champagne, his look changed to one of surprise.
He crumpled and fell suddenly, dropping the tray, scattering glasses in a spray of champagne, landing hard across Charlie, hurting her leg as she fought to steady him and herself. It happened so fast she couldnât hold him. His weight twisted them both as he slid from her grip to the floor, pulling her with him; she went down in a tangle of sprayed wine and breaking glass.
He lay white and still beneath her. He had made no sound as he fell, no cry of distress or pain. As Charlie untangled herself and felt for a pulse, Max was beside her pulling her away, his lean, lined copâs face frightened, his demeanor stern and quick. âGet back, Charlie. Get away from him. Now.â
Charlie struggled up, her gold sheath soaked with wine, and she slid fast behind the desk as Maxâs officers herded everyone back. Max knelt beside the tall, liveried man feeling for a pulse, feeling the carotid artery, turning back the manâs eyelids. Around them the din of voices had stopped as suddenly as if a tape had been turned off, the crowded room so still that the running footsteps of the two officers who had moved to secure the front of the building echoed like thunder. Detective Garzaâs voice was a shout as he called on the police radio for paramedics. Charlie watched the scene numbly. The client she had been talking with had disappeared into the crowd. As sirens came screaming from a few blocks away, Max performed CPR, and his officers secured the front and back doors. The gallery windows blazed with whirling red lights. Sirens still screamed as two medics pushed through the crowd to crouch over the waiter. As Max rose, the look on his face told her the man was dead.
Anne Roche had been right there. Had she been involved, in some inexplicable manner? She stood now with the rest of the crowd waiting to be questioned.
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After a long interval of feverish work with CPR, oxygen, and electric shock, the medics rose. Max nodded. The younger medic spoke into his radio,