Geri,â Ted said, coming up behind me. âYouâll be fine!â
Was it that obvious I was worried? And why wasnât he? Security was high because of the protestors, and we all had to show our IDs at the gate. I wondered how Ted had gotten through security. Maybe he had a fake ID.
âLetâs walk through the routine before we do it to music,â Ted said. We headed down the stairs.
âOh, look, thereâs Jake!â I said, spotting the animal safety representative sitting in the front row of the audience. âHe must be watching to make sure the dogs arenât being asked to do anything that would be dangerous.â
Ted whirled around and faced the back of the room, his head down. âDamn!â he said. âHe canât see me.â
âWhy not?â
âHe knows who I really am,â Ted muttered. âWe were in a documentary, debating about the welfare of animals in the entertainment industry.â
âSurely youâre on the same side!â I said. âYou both want to protect animals.â
âWe do, but they donât!â Ted said with contempt. âTheyâre just shills of the entertainment industry. They get paid to do this job by the very people they are supposed to be monitoring. Thatâs why Iâm here. To make sure the job is done right.â
âSo what does this mean?â I asked.
âIt means youâre going to have to walk through the routine without me,â Ted said. âIâm sorry. Maybe I can arrange to have him distracted.â He headed back up the stairs, his head still down.
I looked at Pepe.
âDo not fret! I will coach you, Geri!â he said. And it was true; he knew the whole routine. We signaled the sound guy to turn on our music and went through the routine. Pepe slinked and I rambled, he did arabesques and I did pirouettes, and we even managed a few paws de chassez . Close to the end of the routine, someone came over and tapped Jake on the shoulder. He got up and hurried away. Then Ted appeared. He had apparently been watching from the back of the bleachers.
âYou did great!â he said, strolling down to the stage. âLetâs just review the last part.â
âHow did you get rid of Jake?â I asked.
âGot someone to tell him there was a dogfight backstage. That got him going.â
Ted walked us through the last bars of the routine, counting out the beats, until he came up with something he liked. Then we left the stage on our way to hair and makeup. As we made our way through the confusing warren of rooms backstage, Pepe suddenly stopped. âSay, is that not Senor Rodney over there? The personal assistant to el muerto , Nigel St. Nigel?â
I spotted the guy he was talking about. Sure enough, it was Rodney. I would have recognized his spiky bleached-blond hair anywhere. âYes, it is,â I said. âI wonder what heâs doing here.â
âI think he is gophering again,â said Pepe.
â Gophering ?â
â SÃ . That is what personal assistants do, no?â
Rodney spotted us and came hurrying over.
â Hola, Senor Rodney,â said Pepe.
âWhat are you doing here?â I asked.
âIâve got a new gig.â He grinned. âIâm the assistant to the assistant to the assistant director!â
âThat is some title,â said Pepe. âI do not wish to boast, Geri,â he told me. âBut I began one rung higher when I started out with Captain Cortez. I was the assistant to the assistant deckhand. I was in line to become bosunâs mate by the time I left the ship.â
I gave my dog a dirty look, then realized that Rodney hadnât heard his crass remark. (When youâve got a talking dog, itâs often easy to forget that nobody else can understand him.)
âCongratulations, I guess!â I said.
âOh yes, itâs definitely a good thing,â he said.