start my life again—”
“After everything our family has been through, especially you … I’m worried you’re going to get hurt.”
A lot of responses ran through my head, but I wisely didn’t speak them.
“You’re only just beginning to recover,” he went on. “You have a good job. I come and get you every day. Let things return to normal—”
“Nothing will ever be normal again.”
“Helen—”
“Don’t worry about me. This gets me out of the compound. That’s what you all want, isn’t it?”
Monroe stared hard at me. I loved him best of all my brothers, but his concern wouldn’t help me or change my fate. He sighed. Then he continued to the back of the courtyard and entered a door that led to the dining room. Everyone would just be gathering for dinner, but I didn’t want to see all those babies and small children. I also wanted to avoid the kitchen, where my sisters-in-law would ignore me and my mother would struggle for something to say as though anything she could utter could possibly change my status in the household or the world. How could I live in a compound with three generations of my relatives—all so alive with all their breathing, eating, and siring—and still be so lonely?
I ducked through a side entrance, went upstairs, threaded my way along the deserted hallway to my room, and shut the door behind me, but I could still hear the bustle and noise of the family. On a small table next to the window was a plate of oranges—neatly stacked—unlit candles set in pewter dishes, an incense burner, and a photograph. I began to weep.
RUBY
A Real Chinese Girl
On Saturday morning, I left my aunt and uncle’s house, took a ferry from Alameda to San Francisco, and walked to the Chinatown playground. Grace and Helen were already there. Sitting on a bench. Talking. Time for work! Grace and I taught Helen steps with one sound—the ball tap, heel tap, brush, and scuff. Every so often, mothers entered the park with their strollers, whispered when they saw us, and then rolled right back out.
“What are they saying?” Grace asked.
“They’re calling us no-no girls,” Helen answered.
No kidding. But Grace didn’t get it. She was a great dancer, better than me by far, which was downright irksome, but she truly acted like she’d just fallen off the turnip truck. I liked her even so. I saw in her what she probably saw in me—that we’d been hit by hard times, that we’d put cardboard in our shoes when the soles had worn out, and that we were on the thin side from too many dinners of watery soup.
On Sunday, same travel time to get to the Chinatown playground. I arrived first. Then Grace. We got to watch Monroe drop off his sister.
“This is the busiest day of the week in Chinatown,” he yakked, kicking and complaining, “and you’re in the playground!” He gestured to the apartment buildings that surrounded the park. “Lots of eyes up there … and everywhere. Ba’s going to find out.”
He was right, but either Helen wasn’t able to think of a betterplace to go or she was choosing to be deliberately defiant. I couldn’t get a read on her. Monroe beat it to the library, reminding Helen with a call over his shoulder that he’d “fetch” her at Fong Fong Chinese Tea Pavilion at five. Then Grace and I spent the morning showing Helen taps with two sounds—the shuffle, scuffle, slap, and flap. She was pretty, which was hard for me to admit, but, man, she was a real cement mixer. By noon, it was clear she simply wasn’t catching on.
“It’s hard to learn to move well without music,” Grace said. “What if I show you something my dance instructor choreographed back home? Every so often, she’d bring out a record of novelty songs. Our favorite was ‘Let Me Play with It.’ ” She started to sing and do the simple routine her teacher had put to the tune. “You let me play with your little yo-yo. I’ll let you play with mine.”
I grinned at the lyrics, but
Learning to Kill: Stories