them but they wouldnât believe me.
Ride out this beast who wonât let me sleep,
Drags me up great Gorki Street
And into Pushkin Square,
Leningrad a rose on the horizon
Ringed by blood and water â
Pull up the blankets
And be small for a few hours of the night.
THE POET
The poet sings his poems on a bridge
A bridge open to horizontal rain
And the steely nudge of lightning,
Or icy moths that bring slow death
Croon him to sleep by snow-wings touching his eyes.
Through this he sings
No people coming close to watch when the snow
Melts and elemental water forces smash
Between cliff and rock under his swaying bridge.
When the water thins, his sweat-drops burst
On scorching rocks like sparks from a flower pod;
Through all this he sits and sings his poems
To those vague crowds on either bank
He cannot make out or consider
With such short sight, for after the first applauded
Poem he let his glasses smash into the rocks below.
The bridge belongs to him, his only property,
Grows no food, supports no houses â
Cheap to buy with the first mediocre poems.
It spans a river that divides two territories â
He knew it and made no mistake:
Today he faces one and tomorrow the other
But from blurred eyes they look the same to him:
Green fields and red-roofed houses
Rising to mountains where wars can be fought
Without a bitter end being reached â
The same on either side.
He does not write a poem every day
But each pet territory takes its turn
To hear his words in one set language burn
And drive them back from each other.
In any rash attack they cannot cross his bridge
But broach the river and ravine
Down at the estuary or far upstream.
He listens to the stunning bloodrush of their arms
And shakes his head, never grows older
As he bends to his paper which one side or the other
Contrives to set, with food, by his handsâ reach.
Sometimes sly messengers approach at night
Suggesting he writes and then recites
Upon some momentary theme
To suit one side and damn the other,
At which he nods, tells jokes and riddles
Agrees to everything and promises
That for them heâll tear the world apart
With his great reading.
He stays young, ignoring all requests and prophecies,
But his bridge grows old, the beams and ropes brittle,
And some night alien figures
In a half-circle at each dim bridgehead
Brandish knives and axes. Lanterns flash,
Blades and points spark like spinning moons
Gathering as he puts away pens and parchment,
Closes his eyes, and does not wake for a week,
Knowing he will once more dream
The familiar childhood dream
Of falling down the sheer side of the world
And never wake up.
But he owns and dominates his bridge.
It is his bread and soul and only song â
And if the people do not like it, they can cut him free.
LEFT AS A DESERT
Left as a desert:
Deserted by one great experience
That pulled its teeth and shackles out
And left me as a desert
Under which bones are buried
Over which the sand drifts.
Seven years gone like laden camels:
The gravel and the wind
Is piling this vast desert up
To one sky and one colour
And sky reflecting desert shapes.
The solitary heart lurks on the off-chance
That rain clouds will come and fertilize
The great experience that made this desert.
LOVE IN THE ENVIRONS OF VORONEZH
Love in the environs of Voronezh
Itâs far away, a handsome town
But what has it to do with love?
Guns and bombers smashed it down.
Yet love rebuilt it street by street
The dead would hardly know it now
And those who lived forgot retreat.
Thereâs no returning to the heart:
The dead to the environs go
Away from resurrected stone.
Reducible to soil and snow
They hem the town in hard as bone:
The outer zones of Voronezh.
GOODBYE KURSK
The thin moon sliced the heart out as it fell,
Then effortlessly made its way
To the earthâs true middle:
The only cure is to fall in love.
The moon gives back what it
J.D. Hollyfield, Skeleton Key