to come, too. âAnd Olive, darling,â I said, âIâll have my maid with me.â
âYour maid? Do you mean Penny?â
Penny had been my maid. Now she worked for Chisholm, poor thing. âNo, no,â I said. âBerta.â
âI thought Berta was your cook. She was at the funeral, too. Does she go everywhere with you?â
âToodle-oo!â I made a smoochy noise and cut the connection.
*Â Â Â *Â Â Â *
The afternoon turned out to be splendid for motoring, balmy and bright. Berta and Cedric napped the entire drive, leaving me alone with my thoughts. I whipped down the highway, spinning plans about the new life I could start with fifteen hundred dollarsâBerta and I had agreed on a 50â50 split. I could take a secretarial courseâwait. Too much sitting. I had my hips to consider. What about learning how to be a librarian? Nix that; I look terrible in cardigans.
By the time we rumbled through Hareâs Hollow, the sunlight had gone golden, the shadows long.
The Foghorn, a rambling inn on Main Street, was more lively than usual. Motorcars clogged the curb out front. I frowned. It wasnât tourist season yet. What was all the hullaballoo?
When I drew up to Dune Houseâs gates a few minutes later, my frown deepened. A throng of men in baggy suits milled around the gates. Some held notebooks and pencils. Others toted boxy black cameras, with camera cases strapped over their shoulders.
âReporters,â I said.
Berta started awake. She mumbled in Swedish as she straightened her hat.
I braked inches away from a fellow who was aiming his camera at my windshield. âIâd forgotten. Horace complained about the reporters.â
The reporters went saggy-shouldered when they saw it was only Berta and me. One of them kicked the ground.
âAnd I thought I didnât look half bad in this hat,â I said.
âThey wish to see the motion picture stars,â Berta said. âBruno Luciano and Sadie Street.â
âOh, I know.â
The gatekeeper scurried up to my window. When he saw who I was, he yelled at the reporters to get back. They ignored him.
âGo on ahead, Mrs. Woodby,â the gatekeeper said. âTheyâre like fliesâgotta swat them away.â
I crept the Duesy forward, and the crowd of reporters parted. I was almost through when a familiar voice said, âWell, well, well. Lola Duffy. What a treat .â
Duffy? My heart skittered like a gramophone needle.
âHello, Miss Shanks,â I said. I gripped the steering wheel so tightly I heard my knuckles crack.
Ida Shanks heard them crack, too, and it made her smile.
I have a nemesis, and her name is Miss Ida Shanks. She is the society gossip columnist for the New York Evening Observer, and she has enjoyed a profitable career at, in part, my expense. Not a month has gone by without a wicked comment about me from this harpy, my identity disguised by only the flimsiest euphemistic veil. The trouble is, Iâm on quicksand when it comes to Ida Shanks: she is one of the few people who knows that the DuFeys are really Duffys, and that before we made it to Park Avenue, our return address was 5 Polk Street, Scragg Springs, Indiana.
Ida knows these secrets, by the way, because sheâs from Scragg Springs, too.
Ida wore her usual getup: blue suit, moth-eaten fox fur, wilt-flowered hat, stockings that bagged around her sparrowâs ankles, witchy boots. âGadding about so soon after your dear departed helpmeetâs demise?â she said.
âGadding about?â I asked âAre we caught inside a P. G. Wodehouse novelette?â
âWho is this appalling creature?â Berta whispered to me.
âI have heard murmurs,â Ida said, âthat your hubbyâs legacy was not so ample as one mightâve thought. No comment, Mrs. Woodby?â She dug a notebook and pencil from her dented satchel, and started scribbling.