origin. They were not Tibetans. Their religion was not a depraved Buddhism. It was unadulterated devil worship. The architecture of their shrines and temples differed from any he had ever encountered anywhere.
But he wasted no time in conjecture, nor in aimless wandering. He went straight to the great stone building squatted against the side of the mountain at the foot of which Yolgan was built. Its great blank curtains of stone seemed almost like part of the mountain itself.
No one hindered him. He mounted a long flight of steps that were at least a hundred feet wide, bending over his staff as with the weariness of a long pilgrimage. Great bronze doors stood open, unguarded, and he kicked off his sandals and came into a huge hall the inner gloom of which was barely lighted by dim brazen lamps in which melted butter was burned.
Shaven-headed monks moved through the shadows like dusky ghosts, but they gave him no heed, thinking him merely a rustic worshiper come to leave some humble offering at the shrine of Erlik, Lord of the Seventh Hell.
At the other end of the hall, view was cut off by a great divided curtain of gilded leather that hung from the lofty roof to the floor. Half a dozen steps that crossed the hall led up to the foot of the curtain, and before it a monk sat cross-legged and motionless as a statue, arms folded and head bent as if in communion with unguessed spirits.
Gordon halted at the foot of the steps, made as if to prostrate himself, then retreated as if in sudden panic. The monk showed no interest. He had seen too many nomads from the outer world overcome by superstitious awe before the curtain that hid the dread effigy of Erlik Khan. The timid Kirghiz might skulk about the temple for hours before working up nerve enough to make his devotions to the deity. None of the priests paid any attention to the man in the caftan of a shepherd who slunk away as if abashed.
As soon as he was confident that he was not being watched, Gordon slipped through a dark doorway some distance from the gilded curtain and groped his way down a broad unlighted hallway until he came to a flight of stairs. Up this he went with both haste and caution and came presently into a long corridor along which winked sparks of light, like fireflies in a runnel.
He knew these lights were tiny lamps in the small cells that lined the passage, where the monks spent long hours in contemplation of dark mysteries, or pored over forbidden volumes, the very existence of which is not suspected by the outer world. There was a stair at the nearer end of the corridor, and up this he went, without being discovered by the monks in their cells. The pin points of light in the chambers did not serve to illuminate the darkness of the corridor to any extent.
As Gordon approached a crook in the stair he renewed his caution, for he knew there would be a man on guard at the head of the steps. He knew also that he would be likely to be asleep. The man was there--a half-naked giant with the wizened features of a deaf mute. A broad-tipped tulwar lay across his knees and his head rested on it as he slept.
Gordon stole noiselessly past him and came into an upper corridor which was dimly lighted by brass lamps hung at intervals. There were no doorless cells here, but heavy bronze-bound teak portals flanked the passage. Gordon went straight to one which was particularly ornately carved and furnished with an unusual fretted arch by way of ornament. He crouched there listening intently, then took a chance and rapped softly on the door. He rapped nine times, with an interval between each three raps.
There was an instant’s tense silence, then an impulsive rush of feet across a carpeted floor, and the door was jerked open. A magnificent figure stood framed in the soft light. It was a woman, a lithe, splendid creature whose vibrant figure exuded magnetic vitality. The jewels that sparkled in the girdle about her supple hips were
Shauna Rice-Schober[thriller]