tells him different and heâs pitching down the hillside like a drunken giant, too rushed and stupid to put on the skis which would have flown him there, striding and gasping and falling and dragging himself up again, keep going keep going keep going. Snow starts to fall as he careers down, big soft heavy flakes that blot the distance, now he canât see them on the hill opposite, now all he can see is the flakes up against his face, huge on his lashes, cold in his eyes.
Suddenly there are dark figures, a large and a small, El and Paul. He realises they are on the farmhouse track. She looks up astonished to see him.
âCon! Where are the others? Are you all right?â
âYes ââ Heâs breathless. âI couldnât keep up.â
âPaul needs a poo, Iâm taking him back. The others are with Marie.â
âIâll â OK.â Itâs not here. He needs to get up that hill. Heâs dumped his skis and poles on the track, heâs plunging away from them, Elâs surprised voice curving after him â âCon?â â but already theyâre behind him and heâs penetrating the whiteness ahead, itâs closing in, the sky is snowing down to meet the ground and heâs charging up the hill with his freed and flailing arms for balance, heâs powering up to the top. Where one of the other mothers appears dragging her twins on the big sledge. She gives the sledge a shove that sends it flying down towards the farm, the two boys squealing with joy.
âTheyâre coming up now ââ She waves her hand at the hillside behind, and plunges after her boys.
And then Con sees Marie with her Charlotte, and Megan, halfway down the hill. Whereâs Cara? Heâs galumphing down towards them and Meganâs crying and heâs snagged by that but Cara, whereâs Cara? And Marie is shouting, âMegan fell off but Cara ââ and heâs galloping and slithering down the hill and thereâs the sledge below him but Caraâs not on it. His mind can see and scan and calculate it all in a still glassy moment while his ungainly heavy body stumbles and heaves and falls impossibly slowly towards where he needs to be like the powerless body of his nightmares. The sledge is a funny shape, itâs half buried in snow â no, itâs broken, the front has snapped off. Heâs staring through the dizzying snow â the sledge has hit something, a rock or a post, it has snapped, itâs ricocheted back. Cara will be up ahead, sheâs light enough, surely, to have sailed over â he plunges on he plunges on thereâs no knowing which direction but he plunges on in this one noticing that the snow is deeper down here, harder to walk in, thereâs no crust it must be sheltered by the next slope. If he doesnât find her soon â Heâs going to find her heâs going to find her. Thereâs a dark thing there a kind of â what is it? Her feet! Her feet sticking out of the snow and he grabs her wellies her little ankles inside them he tightens his grip and pulls her out. Sheâs flown into the snow bank head first, sheâs been posted into the snow by her momentum, and thereâs no blood no damage. As he wipes the snow from her face she stares at him, amazed, and he waits for her to cry, but she focuses and a grin spreads across her face. âDadda!â
She is unharmed. They work out later that she can only have been in the snow for a minute; Megan had just tumbled off when he saw her. Marie was waiting to catch them halfway down but she missed and Cara sailed on. But if he had not been there â how quickly could the falling snow have hidden her? Would she have been able to make herself heard, buried head first in the snow? Could she have dragged herself out? How quickly could anyone else have been down there to look for her? The new snow fell relentlessly all