second he stepped off. âHowâs your beautiful, expensive hotel?â
âAppropriate. Howâs yours?â said Naomi.
âIâm looking at it as we speak. Letâs just say ⦠functional. More appropriate.â
âMore?â
âYeah. âCause I know that yours is too good for a journalist.â
âItâs that darn rich-girl problem again. And speaking of girls, how was she? Your patient?â
âBeautiful. She was really beautiful.â
âIn a doomed beautiful sort of way?â
âIn a Slavic sort of way.â
âThat sounds dangerous,â said Naomi. She meant it.
âShe was dangerous. Literally radioactive. The seductiveness of decay. What about Arosteguy? Iâve seen him in interviews. Pretty devastating. Gorgeous, in that irritating French intellectual way.â
âIâll let you know when I find him. Nobody seems to know where he is, including the prefect of police.â For some reason, Naomi wanted to hold back her new contact with Arosteguy, even though that was the reason she had called Nathan. Was it the Slavic-beauty comment? âI think Célestine is really our September cover, though. Sheâs even more seductive. Beautiful but dead is always killer.â Killer was what they loved at Naomiâs primary magazine, Notorious , whose editor, Bob Barberien, was himself notorious for drunken office rants that somehow became sensational articles that you had to read; they generally involved unimaginable acts of murder. Notorious mimicked the 1950s scandal mag Confidential in its starkly aggressive cover graphics and even its retro typography. Naomi loved its recklessness and its ironic naïveté; it provoked her own.
âYeah, and will he really have anything interesting to say? âI murdered my wife and then I ate her.â How do you follow that up?â
âNobody seems to want that to be true,â said Naomi. âThereâs a weird national protectiveness about that pair. Itâs all denial, even from the police. From what I can see here, itâs possible that one of her student lovers killed her out of jealousy.â It had occurred to her that Hervé might know something about that. Or might even be the killer himself.
âAnd students are notorious for not eating properly. Iâm getting into the elevator now. If I lose you, Iâll call right back.â His room was on the third, and top, floor, and he did lose her, and waited until he was in his room to redial. âSo I guess the only photos youâve taken with my macro lens are shots of your laptopâs screen.â
âVery funny. And what about you? Are you going to send me shots of your beautiful doomed patient?â
Just the slightest pause from Nathan, but it hurt Naomi. âI only got a few during the operation. But basically, she wouldnât let me. She felt diseased and ugly.â
âYouâve never let that stop you before,â said Naomi, fishing.
âI got stopped this time. Stopped in my tracks.â
A big pause from Naomi before she said, âI canât wait to see you. Amsterdam or Frankfurt?â
âI need Amsterdam. My connecting flight to New Yorkâs already been paid for. I land on the fourteenth. Work for you?â
âThe fourteenth works for me. Bye, darling.â
âBye, darling.â
Nathan thumbed his phone off. That was life with Naomiâdisembodied. Nathan realized he had almost no awareness of getting to his room other than the disconnect in the elevator. No smells, no sights, no sounds. He had been in his phone, Naomi a voice in his brain. On his laptop, he scrolled through the photos he had taken of Dunjaâtheoperation, the spa, the sex they had together in her hotel room. It did not bother him that the photos aroused him in a weirdly objective way, as though he had stumbled upon a stash of celebrity sex photos that hadnât hit the