hundred miles an hour leaving a sand wake like a launch and John Secco was sobbing, âEase up, Es, for Godâs sake take it slower, youâll kill us both, thatâs an order,â but he kept his foot on the accelerator and he was grinning because the black Chrysler was right there up ahead. He could see its red lights through the fog and Bibbyâs face in the rear window frightened to death and the gold woman blowing cigaret smoke in her little white face. He stepped harder trying to push the pedal through the floor but no matter how hard he pushed the Chrysler kept the same distance ahead. Then it was rising in the air in an arc like a flying fish heading for the Tonekenekeâs black water and he tried to pull it back with both hands to keep it from falling into the river but he had no strength, it slipped through his fingers and the splash hit him like a stone wall and he found his voice Bibby Bibby BIBBY â¦
He opened his eyes.
Ellen was kneeling by the sofa with her arms around him.
âLoney, wake up. Youâre having a dream.â
He sat up. His belly felt sore. It was the bag digging into him.
âOh, Loney, Iâm sorry.â
âAbout what?â He was shaking.
âThe way I acted last night.â Ellenâs arms tightened. âAs if itâs your fault. Iâm a bitch.â
âNo, youâre not.â He kissed the top of her head.
âForgive me?â
âWhatâs to forgive?â He swung his legs to the floor and groaned. âI swear Iâm tireder now than I was last night. No calls?â
âNo, darling. Sheâll be all right. I know she will.â
âOf course she will.â
âWhy didnât you get undressed and into bed? No wonder youâre exhausted. This sofa is the original torture rack.â
âI must have dropped off. I could use a couple gallons of coffee, Mrs. Malone.â
âItâs all ready for you. You just sit here. Iâll get it.â
âNo, Iâll come into the kitchen. What time is it?â
âSeven thirty.â
âI have to make a call.â
She was instantly alarmed. âTo where?â
âTo the station.â
âLoney, you promisedââ
âDonât worry, Ellen.â
They went into the kitchen. Ellen spooned out the coffee, watching him. He went to the wall phone and dialed.
âWes Malone,â Malone said. âWhoâs this?â
âTrooper Miller. Oh. Wes.â The young Resident Trooper sounded groggy. âWhat can I do for you?â
âChief Secco there?â
âHeâs gone home for some shuteye. Donât ask me why, but I volunteered to hold down the fort till the day man comes in. Where the hell is he? I havenât slept since night before last.â
âWhatâs doing? I mean about those killers.â
âNot a thing. Looks like they slipped through before we set up the blocks. Anything I can do for you?â
âNo. I was just wondering.â
âForget it. Somebodyâll pick âem up somewhere. Chief says youâre on a couple daysâ leave, Wes. Make love to your wife or something. No rest, but itâs recreation.â
Miller hung up, chuckling.
Malone hung up.
He turned to find Ellen standing over the cups with the kettle poised, a human question mark.
âThey got through, Ellen. So Bibbyâs okay.â
I hope.
âThank God.â
Ellen poured. A silence dropped between them. He sat down at the kitchen table and set the black bag on the floor between his feet, where he could feel it.
When Malone came down from his shower Ellen was just cradling the phone.
âWho was that?â
âI called Miss Spencer.â
âWhoâs she?â
âThe school nurse, for the umpty-eleventh time. We have to have some excuse why Bibby wonât be in school today, Loney. I said I was afraid she might be coming down with the flu and that
Brad Strickland, THOMAS E. FULLER