over ideas and people. But there was something about the idea of asymmetry. It was intriguing in the world outside the body, a counterforce to balance and calm, the riddling little twist, subatomic, that made creation happen. There was the serpentine word itself, slightly off kilter, with the single additional letter that changes everything. But when he removed the word from its cosmological register and applied it to the body of a male mammal, his body, he began to feel pale and spooked. He felt a certain perverse reverence toward the word. A fear of, a distance from. When he heard the word spoken in a context of urine and semen and when he thought of the word in the shadow of pissed pants, one, and limp-dick desolation, two, he was haunted to the point of superstitious silence.
He took off his sunglasses and looked closely at Ingram. He tried to read his face. It was empty of affect. He thought of putting his sunglasses on the associate's face, to make him real, give him meaning in the sweep of other people's perceptions, but the glasses would have to be clear and thicklensed and life-defining. If you knew the man ten years, it might take you all that time to notice he did not wear glasses. It was a face that was lost without them.
It was not Ingram who spoke. It was Jane Melman, pausing at the open door before she resumed her interrupted run.
"I want to say something that is deeply uncomplicated. There is time to choose. You can ease off and take a loss and come back stronger. It is not too late. You can make this choice. You've done great work for our investors in strong and choppy markets both. Most asset managers underperform the market. You've outperformed it, consistently, and you've never been influenced by the sweep of the crowd. This is one of your gifts."
He was not listening. He was looking past her to a figure at the cash machine outside the Israeli bank on the northeast corner, a slight man mumbling in his teeth.
"We've profited, we've flourished even as other funds have stumbled," she said. "Yes, the yen will fall. I don't think the yen can go any higher. But in the meantime you have to draw back. Pull back. I am advising you in this matter not only as your chief of finance but as a woman who would still be married to her husbands if they had looked at her the way you have looked at me here today."
23/91
Don DeLillo
Cosmopolis
He was not looking at her now. She shut the door and began running north on Fifth Avenue, past the shabby man at the ATM. There was something familiar about him. It wasn't his khaki field jacket or paper-shredded hair. Maybe it was his slouch. But Eric didn't care whether this was someone he'd once known. There were many people he'd once known. Some were dead, others in forced retirement, spending quiet time alone in their toilets or walking in the woods with their three-legged dogs.
He was thinking about automated teller machines. The term was aged and burdened by its own historical memory. It worked at cross-purposes, unable to escape the inference of fuddled human personnel and jerky moving parts. The term was part of the process that the device was meant to replace. It was anti-futuristic, so cumbrous and mechanical that even the acronym seemed dated.
Ingram folded the examining table back into the cabinet. He packed his satchel and went out the door, turning briefly to look at Eric. He was stationary, only a couple of feet away, but already lost in the crowd, forgotten even as he spoke, wide-eyed, with studied detachment in his voice.
"Your prostate is asymmetrical," he said.
2
The Confessions of Benno Levin
NIGHT
He is dead, word for word. I turned him over and looked at him. His eyes were mercifully closed.
But what does mercy have to do with it? There was a brief sound in his throat that I could spend weeks trying to describe. But how can you make words out of sounds? These are two separate systems that we miserably try to link.
This resembles something he would
M. S. Parker, Cassie Wild
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