the darkshed so that Virgil could take a better look at the machine. It was in very good shape; the tires had plenty of tread and even the drive chains looked almost new. All the U-joints and bearings were dry of grease from years of sitting, but they didnât appear worn at all.
âWhatâs your price?â Virgil asked.
Woodbine removed his hat and gave his scalp an energetic scratching with the tips of his fingers. âYouâre a farmer yourself?â
âYeah.â
âWould you give two hundred dollars for it?â
Virgil said that he would. âBut I think a scrap dealer might offer you more than that.â
âA scrap dealer did. Thatâs why I asked if you were a farmer. Itâs still a good baler. Iâd rather not sell it to somebody whoâs just going to melt it down for the steel.â
After they made the deal, Virgil took a walk around the shed and had a look at what was left. There was a threshing machine that really was suitable for a scrap dealer, or maybe a museum. The stake truck was rusted badly and nearly worthless. The old Ford mentioned in the ad was a three-window coupe from the early thirties, tucked away in the corner of the shed. One of the shedâs ceiling joists had splintered and fallen and was resting on the roof of the car. The black paint was faded through to the metal in places, but the car appeared to be intact and complete. It had Ohio plates from 1959.
âWhat year is this?â Virgil asked.
âNineteen thirty-two,â Montgomery Woodbine said. âFirst year for the V-8.â
âRight out of a gangster movie.â
âFunny you should say that.â The old man moved toward the car. âLookit here.â He wiped the heavy dust away from thepaint to reveal a bullet hole in the panel a few inches behind the passenger-side window. âMy father used to tell a story about this car. He said it came from around Steubenville, Ohio, and that Pretty Boy Floyd stole it and was driving it when the cops spotted him. They put this bullet hole here chasing him.â
Virgil stepped forward to have a look. He stuck his forefinger in the bullet hole, and he nodded, not wanting to step on the old manâs tale. âYou figure that really happened?â
Woodbine laughed. âI know damn well it never. I put that hole there myself. I was target shooting at an elm tree outside here, missed the tree, and the bullet went through the plank wall and hit the car.â The old man shook his head. âMy father liked to pull your leg if you let him. Thereâs people around here who still tell about the time he fought Jack Dempsey to a draw.â
âNever happened?â
âNo, sir.â Woodbine rubbed more dust from the car. âI got a fella coming out from the city today to look at this. Iâm told these things are popular nowadays. People paint âem up and put new motors in them and hydraulic brakes and whatever. I told the fella on the phone I wanted ten thousand dollars, figured that might turn him sour on it, but he never backed off an inch.â
Virgil bent forward to look inside the car. The upholstery was torn in places and it appeared that mice had made off with some of the stuffing. Otherwise the car was in remarkably good condition. âWell, if I had ten thousand dollars, I might just make you an offer. But with my luck, the cops might mistake me for Pretty Boy Floyd.â
âOh hell, heâs been dead for years,â Woodbine said seriously.
âI still donât have ten thousand dollars,â Virgil said. âI mentioned Iâm a farmer?â
The old man laughed like he knew exactly what Virgil was talking about, and Virgil turned away and thatâs when he spotted the cedar strip runabout, tucked in the other rear corner of the machine shed, under some disintegrating canvas tarp and about a half inch of dust and swallow droppings. It was a sixteen-foot